Friday, December 27, 2019

Guest List: Michael Walsh of Ba Babes, Les Dangers, and Boyfriends

Michael Walsh with The Heavies back in 2015

Top Books Read in 2019

By Michael Walsh

[Here at CoolDad Music, I think I can count on one hand the number of book reviews we've ever posted. I've always meant to do more of them, but it's never really happened. Michael Walsh, who's been playing in local bands since before we started here, greatly increases our book review total with his top reads of 2019.

Most of Michael's selections were published before 2019, but that's the beauty of books -- all art, really. Once they're put out into the world, they're always there to be discovered by new readers. Have a look at this list. I'm sure you'll find something to give you a new and wonderful experience.

Thanks, Michael.]

Hi, I'm Michael Walsh. I currently play drums in Ba Babes, Les Dangers, and Boyfriends. I formerly played drums in The Heavies, Prehistoric Forest and Foxes & Lions. I also make instrumental "junk wop" music under the name Swell Patterns and occasionally release tapes and things as a tiny label called Instruments of Ultimate Good. That's about it as far as plugs and projects that I have.

Note: I read a bunch of books so far this year so here's my top eleven presented in alphabetical order because ordering them by favorite was far too difficult. Hard enough to narrow it down to this.

A Sense of Where You Are: Bill Bradley at Princeton by John McPhee (Farrar, Straus and Giroux, 1965)

This was the first book I read this year. John McPhee wrote this over the course of a year spending time with Bill Bradley while he was a star basketball player and academic scholar at Princeton. If you like basketball and are inspired by people who are so in the moment with what they do, then this is a great read. Honestly, just how good Bill Bradley was at basketball makes this great. My dad liked this one too.

Caca Dolce: Essays from a Lowbrow Life by Chelsea Martin (Soft Skull Press, 2017)

I read this during the summer on my lunch breaks hiding in this little closet turned office at my job. These essays are hilarious and endearing. Feels more like a friend telling you stories. You root for Chelsea Martin while at times also pretending you don't know her, which is the truest quality you want in a friend. On a side note, this is seemingly in chronological order which adds to a flow that feels effortless. 

Cherry by Nico Walker (Knopf, 2018)

I read the bulk of this on Thanksgiving hiding from family. It's sad and haunting, at times even darkly funny. War, drugs, bank robberies, and a lot of cursing. It goes beyond a "war novel" and a "junkie novel" and sits in its own category which might have a lot to do with the reality it's based in. Additionally, this book does something I always love in a first person narrative: when things get dark and times get tougher, there is a shift in the language to express that. I'm excited for whatever Nico Walker does next.

Elizabeth & Mary & Elle: Three New Fictions by Elizabeth Ellen, Mary Miller and Elle Nash (Sad Spell Press, 2019)

Three writers doing what they do best: writing authentic stories. These stories happen to be about love and relationships and everything that comes along with them. I picked this up because I enjoyed Ellen's Fast Machine and Nash's Animals Eat Each Other (both I read this year) and I had heard great things about Miller. This little book instantly made me a reader of theirs for life. All of them. I keep this one in my glove compartment for whenever I'm without a book and need something to read. It's small and short, but packs a punch and a half.

Hymn California by Adam Gnade (Dutchmoney Books, 2008)

This is Gnade's very-out-of-print first book. Although his newest, This is the End of Something But Not the End of You (officially out this February) might be a little better, I never actually thought I'd get to read this (endless thanks to my friend Coletta for one of the best birthday gifts I've ever received!). This book is loose and free-wheeling but written with great care like all of my favorite Springsteen songs. It's On the Road but with your foot resting on the brake pedal in case you need to catch an exit quick. If you can find it, buy it.

Juliet the Maniac by Juliet Escoria (Melville House, 2019)

This was the year where I finally started my deep-dive into autobiographical fiction and Juliet Escoria's debut novel is dead center in that Venn diagram. Part coming-of-age story, part memoir on mental illness that follows a teenage girl as she works her way through youth, drug use, and a long stint in a therapeutic boarding school. All told through short vignettes that are inward but empathetic in hindsight.

Nonbinary: Memoirs of Gender and Identity, edited by Micah Rajunov & Scott Duane (Columbia University Press, 2019)

Not completely done with this one yet, but it's been so good that I wanted to include it. Personal essays on gender, particularly from the nonbinary perspective, from those who have struggled, as well as thrived with their own identity. It's touching, triumphant, heartbreaking, and most of all important. I've cried and smiled a lot while reading this.

Safe as Houses by Marie-Helene Bertino (University of Iowa Press, 2012)

I feel like short stories have become the lost of art of literature, even more so than poetry. Marie-Helene Bertino's first collection is both imaginative and grounded. "Great, Wondrous" and "Carry Me Home, Sisters of Saint Joseph" are two of the best stories I've read in recent memory and they're two of the last three stories of the collection (that's a real "ender ender"). Instant top five favorite for me. I will probably recommend this to everyone all the time forever.

Taking Care by Joy Williams (Vintage Contemporaries, 1985)

My introduction to Joy Williams was through collecting the old Vintage Contemporaries paperbacks from the 80s and early 90s. I knew enough of the authors (Beattie, Carver, Ford) and loved Lorraine Louie's design work so much just to trust whatever ones I could find. These stories are told with little urgency and crafted so well. Each sentence feels like a gift. I let this one spread out over a few months to allow myself to dip in and out of her world. Seemingly mundane but with so many little victories along the way. I also never wanted to visit Florida before, but now I kind of do.

The Utility of Boredom: Baseball Essays by Andrew Forbes (Invisible Publishing, 2016)

For such an old sport that has been written about so many times, Andrew Forbes does a great job of finding fresh ways to explore the timeless, unique magic of the game with a subtle literary lens. I'd like more of this than another book from a sportswriter complaining about how the game has changed. I'm looking at you Bob Costas. File Under: Books I Can Lend To My Dad

Women by Chloe Caldwell (Short Flight / Long Drive, 2014)

I read this novella in one day. More or less one sitting if I didn't have errands to run. It's fast and heartbreaking. I know some people don't like books with a main character that you can't get 100% behind, but I always enjoy a good 50/50. It's more real like that. To me Caldwell's Women feels important. Way better than Bukowski.

Thanks for reading this. Support authors and small presses. Support your local libraries and book shops. Support CoolDad and support your friends who make art of any kind.

Friday, December 16, 2016

New Stuff Friday with Shellshag, Yawn Mower, and Ba Babes

New Shellshag!

It Ain't Over

At the end of the year, with everyone dumping their TopBestFavorite lists on you, it's easy to miss some of the new stuff that comes along. This is just a little reminder that we've still got a little more than two weeks left in 2016, and there's still a chance to make this a great year. It's slim, I know; but these bands are here to help in any way they can.

Shellshag, "More Survival Tips from the Bay"

It's always great to get new music from one of your favorite bands. Shellshag's songs are often catchy and upbeat, even when they're about difficult subjects. "Hello My Name Is," the A-side on this three-song single is an example of that as Shell sings, "I got a little monkey on my back / Now the quicksand's up to my neck / Rescue me."

Shellshag recorded the title track for San Francisco's Streetopia, providing lyrics for music by Matty Luv and Aesop Decker who both get mentions in the song. Part of Shellshag's heart is always in the Bay Area, and that comes out in the song.

This was a nice, little, year-end surprise for me. "More Survival Tips from the Bay" is available now via Shellshag's Starcleaner Records.



Yawn Mower, Yawn Mower Ruins Christmas

Just today, our buds in Yawn Mower released this 5-song Christmas EP. Every band needs a Christmas record, right? Here, we get Yawn Mower's take on classics like "Frosty the Snowman" and "Silent Night." That means noisy, fuzzy versions of some of your favorites; and you get an Asbury-born version of "Santa Claus Is Coming to Town" that isn't the mind-numbingly ubiquitous version you hear every year. That alone makes this one worth it.

Yawn Mower Ruins Christmas is available as a Name Your Price download over at Yawn Mower's Bandcamp page or as a limited-edition 7" lathe-cut vinyl from In The Clouds Records.



Ba Babes, "Dareo Days / Come Back Home (With Me)"

Toms River garage rockers, Ba Babes, have done a few dates recently featuring their original two-piece lineup of James Reilly and Michael Walsh. As sort of a commemoration of that, I guess, the band released for the first time two songs recorded back in 2011.

Recorded by Nicky G at The Byrdhouse in Toms River with help from Biff Swenson (currently of some band called Yawn Mower), both tracks are fast, frantic, lo-fi garage rock. They're the kind of thing to which you want to be bouncing wildly as you spill beer all over anyone within a few feet of you. Both Nick and Biff have also played in various incarnations of Ba Babes over the years; and, whatever the future holds for the band, this release is a nice little record of a moment in their history.

The tracks are available as a Name Your Price download or as a very limited lathe-cut vinyl over at Ba Babes' Bandcamp page. Ba Babes original, two-piece lineup plays Deck The Hall 4 in Asbury Park's Convention Hall this Saturday, 12/17.



Sunday, June 21, 2015

2 Days. 9 Bands. Lots of Really Good Music. 6/19-6/20/15

dollys released 'Oh, Please' at Court Tavern on Friday night.

Just the Pix

It's Father's Day, so I'm not going to do a big post recapping all the bands I saw on Friday and Saturday nights. Let's just say that everyone turned in really good sets, and you should check them all out via their social media pages and Bandcamps. There was a pretty wide variety, so there's bound to be something you'll dig. The lighting was unusually good over the last two nights, and I think I got some nice shots.

Special shouts out to dollys for putting out such a truly great record and to Dentist for just being great friends and drinking buddies.

Also, raise a glass today to all the cooldads -- those still with us and those watching over us from somewhere else.

Court Tavern, 6/19

The Vaughns



ROMP



Deal Casino



dollys



Rocky Catanese and The Chapter



Wonder Bar, 6/20

Ba Babes



The Villanelles



Dentist



Long Faces


Monday, May 4, 2015

Dead Heavens Played Wonder Bar with Ba Babes and The Muscadettes

Dead Heavens' Walter Schreifels

What Fight?

Scotch LaRock is a big Walter Schreifels fan. He even has a personal email address reflecting his admiration for one of Schreifels's bands. Scotch had to work on Saturday night, so I made sure I'd get over to Wonder Bar to document the show by Walter Schreifels's latest project, Dead Heavens.

The show listing only ever mentioned Ba Babes and Dead Heavens; but when I got into Wonder Bar, another band, fronted by tall twin sisters, were setting up. They turned out to be The Muscadettes from Montreal, and they were an excellent surprise. Female-fronted, reverb-drenched garage rock in the style of Dum Dum Girls. I picked up their Side A EP on the way out and have been playing it ever since.

Ba Babes followed The Muscadettes. They did their typical set of straight-up dirty garage rock, and things were sounding especially good at Wonder Bar that night. I've seen the band several times over the last year. They have fun. The crowd has a blast, and this was one of their best-sounding sets.

Dead Heavens -- made up of Drew Thomas (Youth Of Today), Paul Kostabi (White Zombie), and Nathan Aguilar (Cults) in addition to Schreifels -- took the stage as "Only Shallow" by My Bloody Valentine was blasting through the speakers. It was a bit of foreshadowing as the sounds produced by Dead Heavens owe something to both the blues-based psychedelia of the 1960s and the crushingly loud mbv walls of noise.

The sounds of Dead Heavens blasted through the venue, and I could feel my ears rattling even through my earplugs. It wasn't all noise and jams, though. The songs had hooks, and Schreifels's voice was clear above the squall. The combination of garage rock and shoegaze fit quite nicely into a couple of the genres I really enjoy.

The whole thing was put on by Arcade Radio and cost just $6. That's 6 bucks to discover two great bands that I'll definitely be listening to going forward and to see another band that I enjoy even more each time I catch their set. Not bad. A way better deal than paying $89.95 to watch two guys split half a billion dollars.

Anyway...

Here are some photo highlights. Check out the rest up at Flickr.



Friday, June 27, 2014