Thursday, March 15, 2018

SXSW Day 3 w/ Hinds, Bat Fangs, Wye Oak, Ruby Boots, Sarah Shook & The Disarmers, Panels from Superchunk, Steve Albini & Kim Deal, and more, 3/14/18

Steve Albini & Kim Deal

All Official and Whatnot

I've spent lots of time during my previous trips to SXSW at unofficial shows and showcases. There will be plenty of that this year, too; but, yesterday, I decided to take it a little bit easy and do some stuff around the Convention Center during the day. My plan was to sit in a lot of chairs all day and then take in some bands in the evening.

Tuesday's shenanigans kind of wore me out. The crew from Dentist and I had some slumber party hangs that night and then went our separate ways in the morning. They headed out for an interview, and I went to the Convention Center to check out the "Featured Discussion" with Laura Ballance and Mac McCaughan of Superchunk / Merge Records. The pair discussed running an independent record label in the era of the Internet (which, according to McCaughan, "Has ruined everything with a few exceptions"), their thoughts on "getting political" as artists, Ballance's thoughts on running for office, and quite a bit more. It was a really interesting discussion and the words "disrupt" or "blockchain" didn't even come up until the Q&A session, which must be some kind of record for SXSW 2018.

Laura & Mac

After that it was time for some barbecue from the really quite good Iron Works Barbecue around the corner from the Convention Center. I manage to eat there every year, and it is solid.

I made it back in time for Wye Oak's set on the "Radio Day Stage" inside the Convention Center. In three years, I've never seen a band there; and, while it does kind of feel like a huge conference room, hearing Wye Oak fully sound-checked and coming through a great system was a real treat. Plus chairs.

Wye Oak

Then, I hoofed it down 4th Street to the Cedar Street Courtyard (more like an alley, really, but still cool) for Hinds' set at FLOODFest. I really do love this Spanish four-piece. Jangly, messy garage pop and they have a total blast. They just make everyone happy, you know?

Hinds

Anyway.

It was back to the mothership for a packed out "Conversation with Steve Albini and Kim Deal." Albini opened that by saying that Kim Deal is one of his favorite people to work with, one of those people for whom he'll say yes before even knowing the details of the request. "And that's how I ended up here, a place where I swore I'd never set foot as long as I lived."

Their talk was engaging, and I'm really glad I made the time for it. I'm also glad that I got up the nerve to walk up front when it was done to tell Kim Deal how much I love the new Breeders' record, All Nerve.

After some re-charging at the hotel, I headed over to Barracuda to catch the set from DC's Bat Fangs. It was just pure rock, delivered with all the big guitar solos and high kicking energy that comes through on the band's self-titled album. So much fun.

Bat Fangs

Call a Lyft. Head over to the Continental Club for some country music at the Bloodshot Records showcase. Sets from Ruby Boots and Sarah Shook and The Disarmers as well as a meetup with our good bud, Matt Chrystal.

Ruby Boots

Ruby Boots blew us both away. The Nashville via Perth, Australia singer / songwriter was backed by a band that brought a real edge to her live performance. Sarah Shook is simply brilliant, an honest voice with a real gift for writing songs about whiskey, broken relationships, and being a general fuck-up that you can't help but sing along to.

Sarah Shook

That was it for me. Three more days to go. I got this.

Friday, February 9, 2018

Bat Fangs, Bat Fangs, 2018

Album Review

Yesterday was a weird day for me. Without going into too much detail, I'll just say it was full of lows and highs, lots of stress, and a ton of driving. If you see me out and about at some point, I'll tell you all about it. After a day like that, sometimes it's good to get bashed over the head by some simple but electrifying rock music. So I turned to the debut, self-titled album from Bat Fangs.

Bat Fangs are guitarist / vocalist Betsy Wright (Ex Hex) and drummer Laura King (Flesh Wounds, Speed Stick). The pair make glam-fueled, metal-dusted rock and roll that harkens back to a time when I'd spend my afternoons watching videos on MTV. The songs on the 25-minute Bat Fangs have a sound that can crack the facade of even the most cynical and jaded 21st-century music nerd.

Opener "Turn It Up" demands that the listener do just that. By the time the guitar solo rolls around, you can almost see the pyrotechnics blasting up from the stage. "Rock the Reaper" and album standout "Boy of Summer" are examples of classic pop-hard rock songwriting. Your head bounces involuntarily, and there's an irresistible urge to thrust your arms into the air. The only thing missing from "Boy of Summer" in particular is the sound of an arena full of cheering fans.

Things get darker on "Wolfbite." "You're like a wolf bite / Yeah you turn my day into night" conjures some of those occult images that I always associate with the pop metal of my youth. "Heartbeat" brings in another unapologetically huge guitar solo from Wright, and closer "Fangs Out" is a chugging blast of a finale.

When I saw Ex Hex in Brooklyn a few years ago, I loved all of the band's rock and roll theatrics. Wright and guitarist Mary Timony played back to back or executed epic high kicks. With Bat Fangs, Wright and King have taken that aesthetic to another level, into the world of over-the-top, arena-sized hard rock. In less-skilled hands, this could all just sound derivative; but Wright and King keep it absolutely fresh and badass. Bat Fangs is full of fist-pumping hooks, and it doesn't waste a second of its 25-minute runtime on filler.

And, sometimes, that's just what I need. After a day that I'm still struggling to make sense of, it's refreshing to have something as invigorating, as straightforward, and -- quite simply -- as well-executed as Bat Fangs.

Bat Fangs, the album, is out now on Don Giovanni Records.

Bat Fangs, the band, play Union Pool in Brooklyn on February 16th with Beech Creeps and Simon Doom. I'll be there.