Tuesday, December 13, 2016

The Blind Shake Played The "People Appreciation Party" at The Saint with gods and Psychiatric Metaphors, 12/11/16

The Blind Shake

Appreciate the People

On Sunday night, Little Dickman Records and CoolDad Music held our "People Appreciation Party" at The Saint with Minnesota's The Blind Shake and locals gods and Psychiatric Metaphors. It also happened to be Amy Dickman's birthday. Everything just came together to make for an emotional and joyous evening.

Psychiatric Metaphors were playing their first show since the devastating loss of drummer Michael Nugent. The trio ripped through a set of spaced out psych rock that ended with Psychiatric Metaphors' mastermind, Sam Taylor, spent and lying on the stage. The guys have fought through some serious adversity in 2016 and are back with a vengeance. There really couldn't have been a better tribute to their friend.

Psychiatric Metaphors' Sam Taylor
Psychiatric Metaphors
gods were fresh off of winning several Asbury Music Awards, and they showed why they deserved the Top Live Performance award for 2016. The Saint had the smoke machine turned up to 11, and gods picked right up where they left off following Thursday night's blistering awards performance. "Wash," "Couch Ride," Endless Stunner's "Creatures" all cut through the haze that filled the room and had people moving.

gods
gods' Paul Ritchie
Amy got her cake while The Blind Shake were setting up behind the big, red curtain.

Happy birthday to you!
When the Minneapolis trio did take the stage, they brought a relentless set of surf-infused garage punk. Guitarist Jim Blaha is all hyper energy, high-kicking and tossing his guitar over his head. Mike Blaha is ever-so-slightly more reserved, opting for the power stance as he pummels his baritone guitar. The room went pretty bananas along with the band, and I think Emily from Dentist may have given herself whiplash from tossing her head for the entire set.

The Blind Shake
The Blind Shake
The Blind Shake
About 3/4ths of the way through their set, Mike took a moment to wish Amy a happy birthday and to praise us all as being a "multi-punch group of people" as opposed to those one-punch types the rest of the country sees on Jersey Shore. I liked that. Multi-punch all the way!

Anyway, it was a really beautiful night and one of my favorite evenings of 2016. Thank you so much to everyone who came out and to all of you who have supported CoolDad Music and Little Dickman Records throughout the year.

I said this onstage to open the night, but I'll say it again. 2016 has been a tough year in lots of ways. We lost some people. We may be witnessing the end of our great democracy. But 2016 also had some wonderful moments that I'll cherish forever. And, for me, most of those moments happened with my family and with the people -- my extended family -- who were in that room on Sunday night. And it needs to be said that many of those great moments would never have happened without the hard work of Chris and Amy at Little Dickman Records who brought us so much great music and so many great shows in 2016.

Thanks again, and I hope the rest of your year is memorable for all the right reasons.

The rest of the pictures are in the Flickr galleries.

Thursday, February 26, 2015

Swami John Reis and The Blind Shake Played Brooklyn's St. Vitus Bar w/ The So So Glos, 2/25/15 (PHOTOS)


Modern Surf Classics

John Reis was an amiable host for the evening. He acknowledged to his fans, many of whom were probably there because of his other projects, that surf music wasn't everybody's bag. He asked that we indulge him and The Blind Shake for about 45 minutes, though, and encouraged everyone to dance. Then, he and the relentless Minneapolis band proceeded to reel off selections from their recent Modern Surf Classics collaboration.

About three-fourths of the way through the first song, I think surf music -- at least of the Swami John Reis and The Blind Shake variety -- became everybody's bag. The Blaha brothers went absolutely crazy, the beads around their necks bouncing against their Hawaiian shirts. Drummer Dave Roper was a force of nature behind the drums. The sounds they put out were a combination of surf rock and garage rock, and they rarely let up for even a second. People danced. Someone jokingly shouted, "Hey! How about playing something aggressive for a change?"

Between songs, Reis smiled, wiped the sweat from his hands, and sheepishly apologized for having to tune so often. He passed out PBR tallboys to the audience from a six-pack onstage. But once the music started up again, it was all out craziness.

Brooklyn's So So Glos started things off (significantly later than the advertised 9pm. Not their fault, probably; but it did mean that Rocket From The Crypt superfan, Scotch LaRock, would miss the headliners since he had to go to work.). They played a set heavy with new songs that also included most of the standout tracks from their most recent effort, BLOWOUT. The band mentioned that they were working on a new record.

This same combo hits Manhattan's Mercury Lounge tonight and Swami and The Blind Shake take on The Black Box at Philly's Underground Arts on Saturday. If there's any chance for you to catch either of those shows, don't blow it.

Here are photo highlights from last night. There are more, as always, at Flickr.



Monday, June 16, 2014

Northside Festival Day / Night 3: The Blind Shake, traumahelikopter, The Planes, Haybaby, The Meaning of Life, The Dead Milkmen, Clouder

The Dead Milkmen played Warsaw on Saturday.

McCarren Park, Bar Matchless, Warsaw

It was a beautiful day. CoolDaughter #1 and I enjoyed bagels after her swim practice, then CoolDaughter #2 and I headed over to the softball game. I pitched. She hit. Fun.

After we all got home, I got myself together and headed up to Brooklyn. Traffic was horrendous. It took me a solid two hours. Not fun.

Anyway, I found parking just fine and walked over to the outdoor stage set up in McCarren Park to catch Minnesota's The Blind Shake on the recommendation of Amy (a native Minnesotan herself) over at Little Dickman Records. I've got to remember to thank her the next time I see her. The trio did a crazed set of garage punk that I could see shaking Asbury Lanes sometime in the future.

It was the first thing I'd seen at the more festival-y setup in the park; and all of the festival-type things I can usually do without were right there: expensive beer, groups of people sitting on the ground to stake out their spots for later, that sense of being there but not really. There was a photo pit at the front of the stage to which my press pass -- I realized too late -- would have gained me admittance. I ended up taking shots from the crowd and testing out my zoom lens.

Also, there was a Keurig stand giving out iced coffees in the little K-cup flavor of your choice. The line was like 20 minutes long. Pass.

I realized that I hadn't eaten anything since breakfast with CD1, so I walked up to Bar Matchless where I'd seen Sharkmuffin the night before. It was a weird time, so the kitchen only offered wings (very good ones); but there was daytime music going on in the band room.

I headed in there and saw Dutch punk band traumahelikopter. They were impressive. After their set, I found out that they had flown over from The Netherlands just for the festival: four shows, then back home on Tuesday.

It was back to Matchless for the evening and the Hearts Bleed Radio showcase. I ran into a photographer / blogger that I've met a few times at Brooklyn shows, and we headed in to see the bands.

Hearts Bleed Radio founder Stephen Perry and his band The Planes opened. Their Fender-based indie pop was just my thing, sounding maybe a little Modest Mouse-y at times.

Haybaby followed and included three people I'd seen in other bands over the previous two days. Singer / guitarist Leslie Hong joined Piers for a song on Thursday night. Bassist Sam Yield also plays bass in Piers, and I'd just seen drummer Mike Lande with Sharkmuffin the night before. Haybaby's thing was dark, sometimes explosive, grunge-influenced rock.

I'd come to the festival to check out some of the bands whose stuff I've reviewed, so I was happy to see The Meaning of Life on the bill. They're impressive live, and Marta DeLeon's dark, smoky vocals are the highlight. Following their set, I headed back up the street to Warsaw to catch The Dead Milkmen.

I arrived just as the band were putting the finishing touches on their pre-show set up. They opened with "Tiny Town," Rodney Anonymous bouncing around the stage in his bowler hat, holding his mic out over the audience several times. The crowd went pretty crazy as The Dead Milkmen rattled off songs like "I Walk The Thinnest Line," "Leggo My Ego," "Nutrition," "Stuart," "Punk Rock Girl," and "Bitchin' Camaro."

The crowd surfing started a few songs in; and a couple of people made it all the way to the stage, knocking into Rod's equipment. He got understandably angry as it looked like some beer or water spilled on his expensive electronics. He left the stage for a few minutes as Joe and the rest of the band carried on. He came back, a little annoyed but ready to go. At one point, he noticed a pair of guys fighting in the crowd (There were several of these dust-ups), and said, "I'm from Philly. I've gotta break this up." He climbed down from the stage to do just that.

Finally, it was back to Matchless to catch another band I'd heard but never seen. Clouder played the last set of the night. Frontman Eric Gilstrap was down among the small-ish remaining crowd almost immediately, at one point executing a stage dive onto the small group of people (me included) at the front of the stage.

That was it for me. I'd decided to stay home for Father's Day, so my Northside experience was done. I'm not sure if I did it right, focusing on smaller bands and smaller venues and opting to skip some of the bigger acts; but I had a good time; saw some really good bands; met some really great people. I also got a sense, I think, for what's going on in Brooklyn beyond the bands we all read about in Pitchfork or hear on Sirius XMU.

Check out some of the bands I've talked about here. They've all got Bandcamp, Facebook, or Soundcloud sites. And I hope we'll get to see a bunch of them nearby soon.

Some pics.