Friday, May 18, 2018

New Stuff for a Weird Friday from Quiet Slang and The RockNRoll Hi-Fives

The RockNRoll Hi-Fives

Closure

This has been a weird Friday around here. On the Jersey Shore, we're on like day 47 in a row of rain. The fact that Asbury Lanes is forever gone will be driven home this evening as the new venue at that address holds its "soft opening." This morning, I watched the guy who caused my brother's accident get handcuffed and taken away to serve out his seven-year prison sentence. Weird, to say the least.

At times like this, when I'm feeling kind of disconnected and disjointed, I turn to music that holds meaning for me.

Quiet Slang, "Bad Art & Weirdo Ideas"

Beach Slang's James Alex released Everything Matters But No One Is Listening today. Put out under the name Quiet Slang, the album re-imagines the melodramatic, romantic, and loud punk rock of Beach Slang. Alex calms things down, adding piano and strings where before there were "Guitar, bass, and drums. Played loudly."

Beach Slang were the last band to play Asbury Lanes before it closed in 2015, and I always associate  "Bad Art & Weirdo Ideas" -- and screaming along to that song with friends old and new in the front row -- with that evening.

It seems appropriate that we get this sad, quiet version of that song, along with the rest of Everything Matters..., on this dreary, rainy day when it becomes official that Asbury Lanes is never coming back.

Everything Matters But No One Is Listening is out now on Polyvinyl.



The RockNRoll Hi-Fives, "Hold On"

The RockNRoll Hi-Fives played the first set I got out to see following my brother's accident. I don't know if it was the best set they ever played. I don't know if it was the worst set they ever played. I don't know if it fell somewhere in between. What I do know is that show was exactly what I needed right when I needed it. The songs that The RockNRoll Hi-Fives played that night gave me the push I needed to get myself through the immensely difficult next few days and beyond.

I recently accompanied Joe, Gloree, Eilee, and Evren Centeno on their tour of Japan. We spent lots and lots of time together; and I got to feel that same lift, that same push, at each show. It was like getting a little refill every couple of days of the fuel I needed to keep on keeping on.

Earlier this week, the band released the first single from their forthcoming LP, Re-Introducing the RockNRoll Hi-Fives. With "Hold On," the family band take their sound into the glam stratosphere; and it's one of the songs on which Eilee really comes into her own as front-person. I can't help but see her flaming Vans stomping around the stage every time that chorus comes around.

Re-Introducing The RockNRoll Hi-Fives comes out June 29th on Little Dickman Records, and the band will play Asbury Park Yacht Club next week, May 26th, with our good friends in Dentist.



Wednesday, March 7, 2018

New Stuff from Quiet Slang, Japanese Breakfast, Big Ups

James Alex will be releasing a Quiet Slang LP.

Trying to Swim through the Flood

The South By Southwest music festival starts next week; and, when I signed up, I checked the little box that said I'd be willing to have showcasing artists contact me with information. Hoo boy. Let's just say it's been a lot. I'm pretty much a one-man show here with very poor organizational skills and the flood of incoming information has been sort of paralyzing. A good problem to have, I guess.

Anyway.

I made an effort over the last couple of days to try and make sense of what's coming in, and I'll share some of the SXSW- and non-SXSW-related stuff I find most interesting in a series of round-up posts.

Quiet Slang, "Dirty Cigarettes"

Quiet Slang is the solo, acoustic project of Beach Slang frontman James Alex. In October of last year, Alex released we were babies & we were dirtbags, a four-song, Quiet Slang EP featuring reworked versions of a pair of Beach Slang tracks ("Future Mixtape for the Art Kids," "Bad Art & Weirdo Ideas") along with covers of The Replacements' "Androgynous" and Big Star's "Thirteen."

Today, Alex announced that the first Quiet Slang LP, Everything Matters But No One Is Listening, is due from Polyvinyl on May 18th. To coincide with the announcement, Quiet Slang gives us the video for "Dirty Cigarettes." This version replaces the wall of guitars found on Cheap Thrills on a Dead End Street with piano and strings. The video features Mynabirds' Laura Burhenn and Heather McIntosh of the Elephant 6 collective.

James Alex is bringing his Quiet Slang to Austin for a couple of sets at SXSW next week, and [Loud] Beach Slang will be opening for Dashboard Confessional on a tour that brings them to The Stone Pony on April 2nd.



Japanese Breakfast, "Boyish"

Japanese Breakfast's Soft Sounds from Another Planet, with its combination of shoegaze, dreampop, and general spaciness, was one of our favorite albums of 2017. Japanese Breakfast is the solo project of Michelle Zauner, but Zauner has collaborated with Adam Kolodny on several videos. Zauner and Kolodny worked together once again on the video for "Boyish," and the clip shows that Japanese Breakfast is maturing visually as well as musically.

The song has kind of a sad, 60s vibe; and its themes of insecurity and unrequited love are captured perfectly by the setting of a school dance.



One of my great regrets has to be that I still haven't managed to catch Japanese Breakfast live. A spring / summer tour makes its way to TCNJ on 3/23, Warsaw in Brooklyn (SOLD OUT) on 5/31, Philly's Union Transfer on 6/3, and Panorama Fest in NYC on 7/28. Maybe I'll check that box after all.

Soft Sounds from Another Planet is out now on Dead Oceans.

Big Ups, "PPP"

I stumbled upon a set from Big Ups at the end of a long day at Northside Festival a couple of years ago. It was a stifling hot evening at Silent Barn, and I was spent. The band's energy, though, was contagious; and I left that show pumped and a fan.

Joe Galarraga (vocals), Brendan Finn (drums), Amar Lal (guitar), and Carlos Salguero Jr. (bass) have been at it for eight years. The post-hardcore four-piece have produced two essential albums in Eighteen Hours of Static and Before A Million Universes; and, yesterday, they announced that their third LP, Two Parts Together, would be out on May 18th via Exploding In Sound.

"PPP" is the first single from that record. The song is thrashing and confrontational. It uses the image of looking into a broken crystal ball as a metaphor for the way people can create their own, biased versions of the truth: "see what you wanna see, you wanna see, you wanna see."



Monday, October 23, 2017

Beach Slang, an Old Schoolhouse, and Asbury Park Brewery

Beach Slang

Weekend Recap

This was a busy weekend for me. I'm feeling pretty spent after shows on Friday, Saturday, and Sunday; but it was one of the most fulfilling runs of shows in a while.

On Friday night, I headed to House of Independents for Beach Slang's return to Asbury Park. It was the kickoff for their "Drunk or Lust" tour; and joining the Philly band on Friday were Chicago's Pet Symmetry, Virginia's Positive No, and Neptune City's Smalltalk.

Smalltalk

There's an earnestness and melodrama to James Alex and Beach Slang that push right up against that line of being over the top. As far as I'm concerned, they hold back just enough to be great. Friday's show was kind of strange and awkward in places -- long, quiet pauses as James tuned his guitar, a false start on "Noisy Heaven," multiple interludes of Santana's "Smooth" and a few seconds of "Give It Away" by The Red Hot Chili Peppers. In other words, it was vintage Beach Slang; and it was all ok -- kind of great actually -- because the band were among friends in Asbury Park.

Positive No
Pet Symmetry

Speaking of friends, between the crew at House of Independents, Smalltalk, and the people who came out for the show, it felt like a little Asbury Lanes reunion. I also spent a good bit of time with our friend Scotch LaRock; and, as he pointed out at the end of the night, it's really great how we can pick things up without missing a beat even if we haven't seen each other in months. Not something you can say about everyone in your life

The rest of the bands on Friday's bill added to the evening's good vibes. Smalltalk are a favorite around here and absolutely did not disappoint. I've seen them as both a trio and a four-piece in recent months. Both setups work great, but it's always cool to see them at full strength with Pete Steinkopf on guitar. Positive No are a band that our bud Al Crisafulli has been telling me about for a while now. They brought a refreshing level of enthusiasm to their set of noisy pop. Singer Tracy Wilson gave me and several other people in the audience a seriously heartfelt hug as the band wound down their set. Pet Symmetry brought sludgy and doomy bass riffs, nice guy humor, and guitarist Erik Czaja's dad to the stage as main support for Beach Slang.

Beach Slang

In all, it was a beautifully messy show that had a real Asbury Park feel to it.

The Yankees played the Houston Astros in Game 7 of the ALCS (brought to you by Camping World) on Saturday night, but I'd been planning for weeks to head to Metuchen's Old Franklin Schoolhouse to catch Lowlight, Roadside Graves, and The RockNRoll HiFives. It was like a bill built especially for me, and I could follow the game on my phone.

The show was one of the best experiences I've had in a long time. Lowlight and Roadside Graves have deep Metuchen connections, and the town -- young, old, human, pet -- really turned out for them. And Metuchen got to take in a great set from The RockNRoll HiFives as part of the bargain.

Roadside Graves

The whole evening just had a friendly, communal feeling that you don't always get at a rock show. The promoters raised $900 for Puerto Rico and the US Virgin Islands. Roadside Graves' lead singer, John Gleason, brought his daughter up to sing the chorus of Tom Waits's "Fannin Street." We celebrated the birthdays of Graves' guitarist Jeremy Benson, HiFives' bassist and mom Gloree Centeno, and everyone else born in October (including, in my mind, my brother Jason whose birthday is today) with cake and candles. Everyone got a piece of cake. All of the bands, who I've talked about extensively here, were in top top form. The Yankees lost, and I didn't even care. Much.

Sunday night meant a delicious CoolMom-prepared dinner with family followed by a trip down to Asbury Park brewery for a show put on by Little Dickman Records. Wetbrain, Yawn Mower, carb on carb (from New Zealand!), and BLAHA (the solo project of Mike Blaha of The Blind Shake).

I'm really starting to enjoy nights at the brewery. They've been getting some very interesting shows in there, and the feeling is always pretty laid-back and low-stress. Even though there was nothing particularly laid-back about any of last night's bands, the whole place has an easy feeling, whether you're sitting on a pallet in the tasting room / performance space or hanging out between sets among the tuns or on the deck.

And the music last night was solid. Wetbrain's Rudy Meier and Nick Kaelblein performed cool, stripped down versions of the band's songs. Yawn Mower blew minds in typical fashion. carb on carb had come a long way to play their pop punk songs in a small brewery tasting room a few blocks from the ocean, and they made it count. BLAHA shook the space with their psych / garage / surf.

I headed home, as I said, spent. But I was happy. I truly live for this stuff, you know.

House of Independents was really the only place where I took pictures. Shots of Beach Slang, Pet Symmetry, Positive No, and Smalltalk are in the Flickr galleries.

Saturday, March 18, 2017

SXSW, Days 4 & 5: Labels, Beach Slang, Mastodon

Mastodon

Saturday Catch-Up

I'm going to try and cover the last two days here so that I can get back on track. Sunday is going to be a travel day, and I just don't know if my brain could take recapping Thursday on Monday.

Anyway.

My hotel is a relatively short walk from what's arguably known as the best barbecue in America, Franklin Barbecue. I walked over and stood on the then pretty short line for a few minutes until someone from inside came out and told us they were out of food. Huh. Oh, well.

I made my way down Red River St. and got a not-the-best-barbecue-in-America brisket sandwich from a food truck. From there, it was over to the Merge Records Showcase at Barracuda.

Sneaks (a.k.a Eva Moolchan) were just setting up, Moolchan on bass and her partner on beats. Spare, short, jagged, confrontational songs that Moolchan delivers while playing bass or dancing to the beat. It was a good pick-me-up for a set that was, as Moolchan repeatedly described it, "early as fuck."

Sneaks

Coco Hames followed, and so did one of the annoyances of Barracuda. Hames and another guitarist played through a set of her country-tinged pop while the Secretly Canadian party went on outside. Every time someone opened the doors separating the spaces, Hames was nearly drowned out by the drums and rock happening on the patio. Still, she persisted; and her set was pretty enthralling. Similarly, Mark Eitzel -- solo, with just acoustic guitar -- had to compete with the noise outside, but his fans up front didn't seem to mind.

The final two acts of the day were two that I'd specifically identified as ones I had to see while here. Allison Crutchfield and The Fizz were great during a set that featured many of the songs from Crutchfield's excellent Tourist in This Town. The day, though, and maybe the whole festival belonged to Austin's own A Giant Dog.

Allison Crutchfield & The Fizz
A Giant Dog

The band tore through their 30-minute set of glam punk with an abandon I haven't seen in a long time. Singer Sabrina Ellis -- despite saying, "I'm pretty docile today" -- was absolute manic energy. Guitarist Andrew Cashen may not be as front and center as Ellis, but a glance over in his direction reveals that he's almost as kinetic. Their set was relentless with Ellis declaring that she nearly dies every time during one song or saying, "Ooooh, you really don't like me today," when the band called out another. I got a little choked up by their passion.

Sweaty and pulse still racing, I headed a block over to Velveeta Room to meet Brooklyn's Baked for an interview (yet another thing I have to edit). A couple of slices of from Hoboken Pie (not bad -- for Texas) and it was back to Velveeta for the Exploding In Sound Records showcase. I finally got to check out some Brooklyn bands that my buddy Joe is always raving about (Jackal Onasis, Stove); and I caught the set from Baked, whose Farnham, I've been enjoying immensely over the last couple of weeks.

Baked

It was nearing midnight, so I bopped over to Valhalla for the set from Aye Nako. I caught the tail end of Sammus's set; and, with fans in the crowd rapping right along with her, Sammus rode a real wave for those  last few minutess.

Sammus

Valhalla was bathed in red like some pizza joint from the fifth circle of hell, but that didn't phase Aye Nako who played through a set of their angular indie-punk to close out my evening.

I decided to give Franklin another try on Friday, heading over well before anyone would consider eating lunch, only to find a line of people who'd obviously been camped out in lawn chairs for hours. Defeated, I headed towards downtown and happened upon free breakfast tacos and beer provided by Comedy Central. Score.

Then, it was over to the Midgetmen's annual showcase at Side Bar for Lee Bains III and The Glory Fires. I could have seen them the night before in Satan's Sbarro, but I knew this one was on the schedule. A combination of southern rock and punk politics, they're another band that put a lump in my throat; and you just have to check them out when you can.

Lee Bains III

I hung around for the set from Colleen Green, who's been one of my personal favorites for the last couple of years. She was playing to tracks on her iPad but had to cut her set short when the device overheated in the sun.

Done there, I met High Waisted for another interview I'm going to have to edit and then took a dinner / shower / nap break to refuel for the evening.

It was back to Barracuda for a set from Louisville's White Reaper whom I've been trying to see again since they blew me away at Asbury Lanes a couple of years ago. I caught a few minutes of one of their SXSW sets last year from behind a bunch of Joe Jonas fans, but this was my real second time seeing them. Just good stadium-sized rock from a band in a bar. Fun.

White Reaper

Finally, I crossed the street to the Mazda / SPIN / Stereogum / Whatever space to catch Potty Mouth, Beach Slang, and Chastity Belt. Mastodon were headlining the evening, and almost every band I'd seen that day had asked the audience, "Are you seeing Mastodon tonight?"

I hadn't planned on it because I thought the crush would be too huge, but... ...It turns out I had access to the photo pit. I was thrilled to be able to bypass the crowds -- for the first three songs each anyway -- and get shots of all the bands. As usual, for Beach Slang, I was screaming along behind my camera.

Beach Slang

The crowd went absolutely apeshit for Mastodon. I'm not a metal fan; but, damn, were they good.

Mastodon

Things cleared out a bit for Show Me The Body. I'd shot the Queens hardcore band once before when they opened for Single Mothers at Baby's All Right. There wasn't a Mastodon-level crowd there, but the SPIN stage in front of the couple hundred people who remained was still an impressive step up from two years ago.

Show Me The Body

I lumbered back to my hotel and absolutely crashed. This afternoon, I'll head over for some pancakes and rock at Little Dickman's Saturday showcase. Tomorrow, it's back to frozen Jersey.

Wednesday, September 28, 2016

Beach Slang Played Rough Trade with Chris Gethard's Mr. Shankly and The Franklys, 9/27/16


Play Me Something That Might Save My Life

I think of it as a professional responsibility to read Pitchfork's reviews of new albums I'm interested in. Our tastes have diverged somewhat over the last decade or so, but I do find it instructive to see what that part of the "indie" music-sphere thinks about certain things. It's often a game of trying to guess what number rating they'll apply to a particular release.

I headed over there to check out their review of Beach Slang's A Loud Bash of Teenage Feelings the other day; and, while it was a solid review, it wasn't gushing. Many of Ian Cohen's points were, in one sense, spot on: "...the mere decision to call this album A Loud Bash of Teenage Feelings—even if it is earned—calls into question whether [songwriter / frontman, James Alex, is] truly operating without pretense."

But, to answer that question, all you have to do is spend a few minutes speaking with James Alex before or after a show -- a few minutes that he seems more than willing to grant to anyone who approaches him, usually beginning and ending things with a hug. After that, there will be no doubt in your mind that any of this is for real. James Alex is the person who screams things like, "Play me something that might save my life!" and "Your arms are like a car crash I want to die in."

That sincerity carries onto the stage. Last night at Rough Trade, James Alex shouted out new friends he'd made before the show, fans who bought him drinks, old friends he hadn't seen in ages. He and the rest of the band raged and careened through songs from the new record and dug back into their catalog for songs like "All Fuzzed Out," a favorite of mine that I haven't seen them play live in a while.


As predicted by Scotch LaRock the other day, the set was full of false starts, mistakes, power outages, audibles, and ad-libs. The band covered The Replacements (twice), Jawbreaker, The Cure, and gave us snippets of "Jessie's Girl" and "Pour Some Sugar on Me." Alex, along with band-mates Ed McNulty (bass) and Ruben Gallego (guitar), conversed and joked with audience members up front. Mikey Erg took over drums on "Can't Hardly Wait" and "Alex Chilton."

Alex dedicated "Bad Art and Weirdo Ideas" to "my friend Jim [Adkins of Jimmy Eat World] who's here," but I'm going to pretend that he meant me. I can't hear that song without feeling like CoolMom and Jeff and Scott and Emily are jumping up and down beside me or without seeing Ed and Carrot sailing over my head from the stage during the last show at Asbury Lanes. I'm going to admit I got a little choked up. Pushover.

They ended the set with "Young And Alive;" and the crowd, who'd gotten pretty rowdy up front beginning with "Noisy Heaven," were all in for one, last song. Afterwards, Alex was in the corner at stage right talking, shaking hands, hugging anyone who came up to congratulate him on his band's latest release. He told them all how much it meant to him that they came to his band's show, and he meant every word.

I can't leave you without mentioning opening band, Mr. Shankly and The Franklys. Fronted by Chris Gethard and featuring Mikey Erg on drums, Alex Knudson (Hiccup) on guitar, and John DiNominice (Bomb The Music Industry, Jeff Rosenstock) on bass, they're a Smiths cover band that started as a gag. The backing band's chops and Gethard's commitment and razor sharp wit (I mean, he is a pro.), though, made their set something of a revelation. Loads of fun; and I sang myself hoarse, as I've been known to do at Smiths tribute shows.


Confession: It's always kind of been a fantasy of mine to be the Morrissey in a Smiths tribute band. I will never do this. I'll just content myself with living vicariously through Chris Gethard.

Pictures from both sets are up in the Flickr galleries.

Monday, September 26, 2016

Beach Slang, A Loud Bash of Teenage Feelings, 2016

Album Review

by Scotch LaRock

[CoolDad Note: I've been listening to Beach Slang's sophomore LP, A Loud Bash of Teenage Feelings, for about two weeks straight. Everything that goes into a Beach Slang song is everything that CoolDad Music is about: the transformative power of rock music, continuing to see the world through melodramatic eyes, never ever outgrowing your teenage self.

Over guitars that thrum and pump like a beating heart, frontman James Alex sings "Play me something that might save my life" (on opener "Future Mixtape for the Art Kids") or "I was born at the bottom but I never belonged" (on "Spin the Dial") or "You taught me to talk and told me to shut up" (On single "Punks in a Disco Bar"). He's the rare 40-something father that's still wearing his teenage emotions on his sleeve.

My buddy Scotch LaRock introduced me to Beach Slang, and their latest drew him out from his world of small business and parenthood (rewarding in their own ways, of course) for a few words. I'll see him tomorrow at Rough Trade in Brooklyn for the release show, and for a couple of hours we'll be right there with James screaming like a couple of teenagers.]

I’ve had the feels for a little more than two years. I thought I could come out of the woodwork and write a something about the words that have come to mean so much. I’m glad James Alex found me.

It’s easy to talk about Beach Slang through references to The Replacements, Jawbreaker, and The Psychedelic Furs. I did it here once, too. It was the jumping off point. Here we are, some 30 odd songs deep including covers, and I still get the feels with every strum. What I’ve come to love during this time is that I have a complete connection. When I look around at a Beach Slang show I see the kids, the old dudes, and everyone in between; and it is always a ride. Never the same thing twice. The laughter, the mistakes, the false starts, the stories and the sing alongs. It’s all there.

“Play me something that will last… Play me something that might save my life…” I’ve said this before too. Isn’t that what we all want? We’re all looking for that someone, that something, that feeling that connects it all together. All your crazy is all my crazy. Are we brave enough to share it? We spend our time on a lifelong search growing, messing up, experiencing great love and unbelievable loss.

The words. I’ve found an advocate for what swirls around inside and is dying to get out.

“Stick your heart on your sleeve. If it breaks, stitch it onto me.”

“I can’t love you raw enough.”

“All this junk could’ve killed me. But I’m not dead. And you are why."

We don’t lose our teenage feelings. We grow up learning how to push them down. We turn into the grownups from the John Hughes movies, the ones you don’t see. So I’m gonna turn this up a little louder, scream a bit more and embrace it all.

Beach Slang you are my advocate for all that is dying to get out.

A Loud Bash of Teenage Feelings is out now on Polyvinyl.

Monday, August 1, 2016

Summer Weekend of Stokedness with The Bouncing Souls, Beach Slang, Cayetana, Rocket From The Crypt, The Vansaders, Colton Kayser, Lowlight, and More, 7/28-7/30


Stoked and Stacked

3 nights. 15 sets. 14 different bands. I got tired. My feet hurt. I went through a few camera batteries. It was that kind of exhaustion, though, where you feel fully satisfied. The kind that follows something like Thanksgiving Dinner. From Thursday through Saturday, I got to see some of my favorite bands for the umpteenth time; and I got to see several other bands for the very first time. Each night felt like a celebration.

Thursday, 7/28: The Bouncing Souls, Beach Slang, Cayetana at The Stone Pony

What: "The Bouncing Souls Stoked for the Summer: Night 1"

Why: It was the eve of The Bouncing Souls' album release. Simplicity is the band's 10th studio album, and they planned two days' worth of shows in Asbury Park to celebrate.

Favorite Moments: 

Running into Beach Slang before the show and getting to chat with frontman James Alex about how excited he was to be playing that night, for the band's new record, and for their upcoming European tour.

Cayetana's entire set. I just love this trio from Philly. They played a few new songs set to appear on their upcoming record, and I can't wait for it.

Beach Slang's appearing almost "professional" during their set. I think there was only one deviation from the setlist with James Alex shouting, "OK. 'Dirty Cigarettes' for that guy over there!" Afterwards, bassist Ed McNulty brought Alex over to his own copy of the setlist and jabbed his finger at what was written.

Just the overall sense of family and community of every Bouncing Souls set. This culminated when the band brought a young girl -- 4 or 5 years old, maybe -- onstage to sing "Lean on Sheena."

Seeing all the familiar faces from Asbury Lanes and around the city. Getting to chat and catch up at the end of the evening.

Pictures: 

Stoked for the Summer, Night 1

Friday, 7/29: The Bouncing Souls, Rocket From The Crypt, The Explosion, The Flatliners, Creeper, Restorations, The Vansaders at The Stone Pony Summer Stage

What: "The Bouncing Souls Stoked for the Summer: Night 2"

Why: Celebrating the official release of Simplicity, celebrating friends and family, celebrating Kate's birthday

Favorite Moments:

Being pleasantly surprised by British horror punks, Creeper, whom I'd never heard before.

The incremental ratcheting up of energy with each successive band. Toronto's The Flatliners have a solid Asbury Park following. The Explosion were making a rare live appearance, and the crowd up front were obviously thrilled.

Rocket From The Crypt. I know several people who are deeply devoted to this band. They have the tattoos and everything. I'd never seen them. They blew me away. Ass kicking showmanship and rock and roll. Amazing.

Again, the love and camaraderie that just oozes from the stage and from the crowd during a Bouncing Souls set in Asbury Park. There must have been 100 or more friends and family members onstage with the band. Frontman Greg Attonito led the entire audience in a rendition of "Happy Birthday" for Kate Hiltz, the hardest-working person in all of rock music.

Getting to hear "Ghosts on the Boardwalk" and "Moon Over Asbury" while standing "where the city meets the sea" in Asbury Park.

Sticking around for the after-party inside The Stone Pony with Restorations and The Vansaders. Both bands were great, and The Vansaders absolutely brought it in front of a big crowd of friends.

Pictures:

Stoked for the Summer, Night 2

Saturday, 7/30: Colton Kayser, Lowlight, Cranston Dean Band, We're Ghosts Now, Cold Weather Company at Wonder Bar

What: Record release party for Colton Kayser's Place to Settle

Why: see above

Favorite Moments:

Colton Kayser is absolutely one of the nicest people in the Asbury scene, and it was great to see a packed out Wonder Bar for his record release.

All of the bands turned in excellent sets. Cold Weather Company and even Colton Kayser in a full-band configuration were firsts for me. The Cranston Dean Band and We're Ghosts Now both energized the crowd. I love Lowlight, plain and simple.

Watching Colton Kayser just enjoying every moment of his band's set while friends and family sang and danced along.

Pictures:

Colton Kayser at Wonder Bar

I'm going to admit, with so many sets from so many bands, I had brief moments where taking pictures at all of these shows and then going home to edit them felt like work. But they were fleeting. Mostly, I just found myself thinking about how much I love doing it. More than a photographer or a blogger or whatever, I'm a fan of live music; and just being there for all of this over the weekend was really as much as I could have asked for.

Click on all the links above to check out the pictures. I'll also dump them over on the Facebook page if you prefer that.

Thursday, July 14, 2016

New Beach Slang Album / Single

Beach Slang at Frank in Austin, TX in March.

"Punks in a Disco Bar"

Philadelphia's Beach Slang will always be special to me. They'll be special not only because they played the final set at Asbury Lanes when I stood right up front with CoolMom and our friends and screamed and cried a little bit, but also because frontman James Alex is constantly acknowledging something I've always known. Deep down inside, everyone is always that same teenager they've always been. We grow up and learn all the socially acceptable ways to mask that part of ourselves, but James wears it right out there for everyone to see. When I listen to Beach Slang, especially when they're playing live, I feel like I can let that part of me run wild for a little while. The thirty years since I've been 16 years old just peel away, and I can stand up front screaming and crying a little bit.



Yesterday Beach Slang announced that they'd be releasing their second LP with Polyvinyl Records on September 23rd. It's appropriately titled A Loud Bash of Teenage Feelings, a phrase that James Alex has said he's used to describe his band.

Along with the album announcement, Beach Slang released the record's first single "Punks in a Disco Bar." It's everything we've come to expect from the band to this point. It's jagged and loud, and Alex sells it with every fiber of his being. It owes a great deal to the sounds of my youth like The Replacements and Richard Butler. It makes me think that Beach Slang will be more than able to follow up on the unexpected success of The Things We Do to Find People Who Feel Like Us.

Beach Slang return to Asbury Park on July 28th for Night 1 of The Bouncing Souls' "Stoked for the Summer" at the Stone Pony. They'll be on tour for the rest of this summer and just a couple of hours away from me when I'm vacationing in the UK with the coolfamily in August. Hmmmm...

Check out "Punks in a Disco Bar" and the rest of Beach Slang's dates below.



Beach Slang on Tour:

7/20 -- Sydney, Australia -- Oxford Art Factory
7/23 -- Byron Bay, Australia -- Splendour in the Grass
7/24 -- Melbourne, Australia -- The Corner Hotel
7/28 -- Asbury Park, NJ -- Stone Pony^
8/07 -- Katowice, Poland -- OFF Festival
8/08 -- Bremen, Germany -- Tower Musikclub
8/10 -- Oslo, Norway -- Øya Festival
8/11 -- Gothenburg, Sweden -- Way Out West Festival
8/13 -- Eschwege, Germany -- Open Flair Festival
8/14 -- Rothenburg ob der Tauber, Germany -- Taubertal Festival
8/15 -- Trier, Germany -- Mergener Hof
8/16 -- Dortmund, Germany -- Freizeitzentrum West (FZW)
8/17 -- Osnabrück, Germany -- Kleine Freiheit
8/18 -- Hasselt, Belgium -- Pukkelpop
8/19 -- Marinen, Trondheim, Norway -- Pstereo Festival
8/20 -- Bodø, Norway --  Parken Festival
8/23 -- Birmingham, UK -- The Sunflower Lounge
8/26 -- Bramham Park, Wetherby, UK -- Leeds Festival
8/28 -- Richfield Avenue, Reading, UK --  Reading Festival
9/2 -- Montauk, NY -- The Surf Lodge's Summer Music Series
9/8 -- Baltimore, MD -- The Ottobar
9/8-10 -- Raleigh, NC -- Hopscotch Music Festival @ The Lincoln Theater
9/10 -- Raleigh, NC -- The Camel
9/17 -- Wilmington, DE -- Dogfish Head Analog-a-GoGo @ Bellevue State Park
10/6 -- Boston, MA -- Royale%
11/4-6 -- Austin, TX -- Sounds on Sound Festival
^ w/ Bouncing Souls
% w/ Descendents

Saturday, March 19, 2016

CoolDad Does Austin: SXSW Day 4

It's been three years since I could see Fear Of Men again.

Mitski, Protomartyr, Tacocat, Fear Of Men, Beach Slang (again)

I was beat when I got up on Friday morning. Thursday was one long, hot, humid day; and I may have overdone it a bit. On Friday, then, I decided to take things kind of easy and see some of the acts I'd come to see but had missed so far. The Pitchfork Day Party at Barracuda had a few, so that's where I made my first stop.

Mitski has been to Asbury Park a few times; but, for various reasons, I missed her every time. I resolved to catch one of her sets at South By Southwest, and I'm happy I did. The crowd was quite attentive and quiet during her set, which Mitski appreciated. That quiet attentiveness would change as the place filled up.

I made my way over to the outside stage and set up for Protomartyr. They're probably one of the main reasons I was so excited to come to Austin. Their last two albums, Under Cover of Official Right and The Agent Intellect, are two of my favorites from the last several years. Singer Joe Casey snarls the lyrics like he's just about to burst into a rage, remaining precariously calm as the band lets loose around him.

Protomartyr

Katie Crutchfield was finishing up her set inside as I made my way towards the door. By this time, the crowd had swelled, and the attentiveness from earlier in the afternoon had disappeared.

Not wanting to overdo it again, I decided a sit down lunch was in order. I made my way over to Iron Works Barbecue and was thrilled when I found no line and plenty of seats. Amazing what walking a few blocks can do. Brisket, a beer, and just some sitting. Then it was time for Tacocat over on Rainey Street at Container Bar.

Tacocat took the stage to the strains of The Everymen's "Spain" and powered through some sound issues to deliver a set of smart, funny, and subversive pop. They'll be at Mercury Lounge on April 12th, and you should try to catch them.

Back out to my hotel for some R&R.

I made my way back downtown to Sidewinder for the Flowerbooking / Polyvinyl / Topshelf showcase where I'd get to see Fear Of Men and Diet Cig, both of whom I'd been trying to catch all week, along with Beach Slang. The two surprises of the night for me were Palm and Wildhoney. Philly's Palm are mathy and complex. Wildhoney from Baltimore are dream pop in the vein of, well, Fear Of Men.

I've waited to see Fear Of Men again since catching them at FYF in 2013. Since then, their sound has moved from jangly post punk to something more synth driven. The songwriting and singing of Jess Weiss, though, still carry things; and, freed from her guitar, she's able to lose herself a little bit more in her performance. They were great.

Diet Cig guitarist / singer, Alex Luciano, is some combination of a kid on a sugar high and an aerobics instructor. From the opening chord of Diet Cig's set until she made her way down into the crowd for the end, she was non-stop high kicking, bouncing, and smiling. A few folks down front were right there with her. Drummer Noah Bowman gave some heft to the band's poppy bounce.

Diet Cig

It was time for Beach Slang again. Compared to the set at Frank the day before, both the audience and the band were a little more ramshackle. A few folks up front decided that they would try to direct the show, and frontman James Alex took the band well past their time limit, repeating "Noisy Heaven" as requested and throwing in covers of songs by Jawbreaker and The Replacements (2). Another great set for totally different reasons. Watching the band absorb and adapt to the crowd was pretty amazing.

That took me right up to 2am. I made it back to my hotel and tried to get enough sleep to collect my energy for one more day. I can barely walk anymore, but I'll dig deep. Until next time.

Friday, March 18, 2016

CoolDad Does Austin: SXSW Day 3

James of Beach Slang tries his beer trick as Matt Pinfield looks on.

Hinds, Beach Slang, Don Giovanni Records

A slight drizzle on Thursday morning cooled things off a bit, but not much. I got up. Did my show listings and daily recap, then headed downtown.

I'd been shut out of the Hinds show on Tuesday night; so I decided to try and catch them at Frank, a small bar west of the downtown craziness, for their first of five shows of the day. The band's album Leave Me Alone is one I've been listening to quite a bit since it came out.

Getting in this time was no problem, and Hinds were great. They admitted that they'd just woken up; but for a band with 17 shows on the schedule for the week, they brought some really good, positive energy. Never stopped smiling.

Hinds from Madrid.

After their set, I walked over to Waterloo Records to catch Louisville's White Reaper. Once I arrived, I realized that the setup was kind of like the Stone Pony Summer stage -- a stage at one end of a giant parking lot. It was packed; and, while I think White Reaper are great, I was kind of surprised. Turns out that Joe Jonas and DNCE were next on the schedule, and their fans were already staking out real estate. White Reaper got to play to a large crowd holding up DNCE posters. I headed over to the flagship Whole Foods for a sandwich.

Then it was back to Frank for Philly's Creepoid, local kids Residual Kid (who were hosting the Frank party), Yuck, and Beach Slang. Oh. I didn't mention that Matt Pinfield was emceeing the Frank party! Anyway, Creepoid were fantastic. Don't miss them when they play Brighton Bar next week with The Dirty Nil and Restorations. Residual Kid surprised me. They were probably 17 years old, very good, and have obviously spent a lot of time with Nirvana and Pixies. Yuck were pretty laid back as they delivered songs from their latest album and mixed in a few that I remember from their marvelous debut.

Beach Slang were Beach Slang. Blood, guts, sweat, and drama all over a tiny stage late on a Thursday afternoon. I realized during their set that, as much as I enjoy discovering new stuff, I still just love what I love. Love them.

I headed back into the craziness of downtown for some beers with Dentist and to hit the Don Giovanni Records showcase at The Velveeta Room. I arrived as Mal Blum was setting up. Blum and the band turned in a pretty rocking set of Blum's soul-baring soungs. Following that, it was Philly's Pinkwash.

Sound guy: "That guitar's pretty loud. Can you turn it down?"

Guitarist Joey Doubek: "Um... No. I really can't."

Then he and drummer Ashley Arnwine absolutely pummeled the whole room.

Following Pinkwash, it was time for Vacation. They had about 1000 times the energy I did at that point and gave us a great set. When they were done, so was I. I could barely stand after going straight for about 13 hours. I headed back to the hotel, finally ate dinner (at the Waffle House next door), and crashed hard. It's back at it today when I'll try to catch some of the bands I missed yesterday.

Vacation

Stay tuned.

Thursday, October 22, 2015

Beach Slang, The Things We Do To Find People Who Feel Like Us, 2015

Album Review

If you read through the comments section on BrooklynVegan, you'll see snarky, biting, anonymous comment after snarky, biting, anonymous comment. It's almost like all of these people who spend their time commenting on posts on a music site do it just because they hate music so much. I find myself asking, "Oh, twenty-something transplant to Brooklyn from New Hampshire or Indiana or Rhode Island, who hurt you? Who made you so very jaded at such a young age?"

I think of myself as kind of a cynical person; but, when I see that stuff, those comments, I realize that I'm just a blubbering, corny pushover. Music is a transformative force for me. Music makes me do this:

I'm in the Lemuria shirt.
Photo: Christina Domingues

I think that's what appeals to me so much about Beach Slang. Beach Slang aren't a band of kids. The Philadelphia four-piece are veterans of the Philly music scene from earlier projects. Frontman and principal songwriter, James Alex, wears his heart on his sleeve and sings with all the passion and wide-eyed amazement of someone still figuring things out. Beach Slang's debut LP, The Things We Do To Find People Who Feel Like Us, is an ode to the healing life-force of rock music.

On opener "Throwaways," Alex sings in his Richard Butler rasp over pulsing shoegaze guitars of "trash like us," "restless punks," and "throwaways," misfits searching to be part of something bigger. "Bad Art & Weirdo Ideas" instantly transports me to Asbury Lanes for the last show there. I'm pressed up against the stage with 400 of my closest friends and my beautiful wife. I'm screaming, "I've always felt stuck, alone, or ashamed" along with everyone else and instantly making that very feeling melt away.

"I feel most alive when I'm listening to every record that hits harder than the pain," sings Alex on "Ride the Wild Haze." It's, maybe, the hardest rocking song on the record; and, with that line, it kind of sums up what I think Beach Slang are trying to do for their audience. He continues, "I try a lot to write. Try to use my brain; but every time I try, my heart gets in the way." That is evident on every song here.

Acoustic guitar, strings, and piano accompany Alex's strained whisper on "Too Late to Die Young." "I ain't ever felt loved," he sings. Loud and wild records, though, "have always been enough;" and he swears, "right now I'm alright."

"Young & Alive" pounds home that point. The idea that music is a force that can make you feel something and keep you going. "Go pound the snares and amplifiers (It's wild It's wild It's wild) ... We are young and alive!" The song is probably the biggest departure sonically from Beach Slang's two EPs and, perhaps, reflects the band's transformation to a four-piece with the addition of guitarist Ruben Gallego.

"I blur all this hurt into sound," sings Alex on album-closer "Dirty Lights." Throughout the record, that sound is a wall of noisy guitars that often thrums and pulses like a beating heart. The rhythm section of Ed McNulty and JP Flexner adds heft to each of those beats and brings to life the album's repeated contrast between hard and soft. The idea that loud, wild, tough rock music can bring out the softest feelings.

The Things We Do To Find People Who Feel Like Us is refreshing. It's refreshing in its absolute confidence in the transformative power of music. For me, when I listen, it's refreshing and affirming to spend thirty minutes with Beach Slang. To spend thirty minutes in my car, in my office, in my headphones with people who experience music the same way I do. With people who feel like I do.

The Things We Do To Find People Who Feel Like Us is out October 30th on Polyvinyl. It's also streaming right now at NPR.

Monday, October 5, 2015

The Last 2 Nights at Asbury Lanes For Now: Beach Slang, The Holy Mess, Lost In Society, Sammy Kay, Brick + Mortar, Gimme Drugs, Super Dad

Philly's Beach Slang played the last set at Asbury Lanes before it closed for renovations.

Thanks

Friday, October 2nd, 2015

He had big plans. The rain was really coming down, and the wind was howling. It was a perfect evening to listen to some records and dig into that new bottle of whiskey his wife just bought him. A couple of beers with dinner had gotten him started when he got the message: "Brick + Mortar playing tonight."

He'd seen the band a few times, and he knew they really brought people out. It was the next-to-last night at the place, a good chance to see everyone one extra time. He stopped 3/4ths of the way through his second beer, packed up his camera bag, and got in the car.

Wow. The rain was vicious. He could feel the wind buffeting the car as he drove. "The gods are angry. They don't want anybody messing with the place." He thought that was pretty clever and tried to think of a way to work it into whatever he was going to write.

There was one last spot right out front. Bob and Jenn greeted him as he walked in. "You made it in time for Super Dad!" He thought that was pretty funny -- and appropriate. "Super Dad."

Super Dad was Josh from Snack World, the guy with all the great t-shirts, the guy who would skateboard around on the hardwood floors of the lanes after shows. Super Dad was comedy, music, performance art all rolled into one. Super Dad smoked. Super Dad stripped from a bathrobe and pajamas down to a pair of briefs emblazoned with the place's logo. Super Dad climbed onto the bar in the lounge where the set took place. Super Dad threw his body into the spectators. Super Dad burned a dollar bill and almost set his clothes on fire. Super Dad gave him a pretty hard bite on the shoulder. It was funny. He could feel a lump forming in his throat.

Gentleman Jim showed up, disappointed at having missed the surprise performance by his friend and co-worker. He talked with Gentleman Jim about their kids and the school. He talked about the little spark of activism rising in his daughter over her indignity at the sexism of the school's dress code and felt himself feeling kind of proud of her. He thought about all the times he'd spent talking with Gentleman Jim about the place. He thought about how they wouldn't have it to talk about anymore. Gimme Drugs started in the lounge.

A few more people had filed in by this time, and the lounge was more crowded. Jenn sat cross-legged on the floor. He got a spot from where he could snap a few pictures, but he didn't take as many as he normally would have. It was dark. There were other photographers. Even Zak brought his camera. Pete took videos on his phone. This was a reunion for Gimme Drugs and it was his first time seeing them. He'd seen Michael Jackson & The Beetles before, but never Gimme Drugs. They were good.

He floated around, mostly hanging and talking with Gentleman Jim until Brick + Mortar came on. They're a popular band who don't play locally too often. He'd see Brandon or John at shows sometimes. May have even spoken to them once or twice. He presented them with an Asbury Music Award once, but they didn't really know him. Brick + Mortar packed out the lounge. There were projections. There were unicorn puppets. There were big "HEY" signs. He thought he saw some crowd-surfing, or at least shoulder sitting, after he wormed his way out of the crowd.

When it was all done, he talked with Zak and Gentleman Jim for a while. Gentleman Jim appeared a little down about not being slated to work the show the next night. He had a feeling Gentleman Jim would find a way. He headed out to the car, happy to find that the police didn't appear to feel like writing tickets in the rain.

Saturday, October 3rd, 2015

The next day had a weird feeling about it. The weather was still terrible. The gods were still angry. The girls slept in, and his oldest never even put pants on all day long. She's turning into a real teenager. His wife ribbed him a little bit about his desire to get there so early like she always does.

They walked up the steps past Brian, Deaglan, Matt, Nick, and a few others. As they walked in, they spied Gentleman Jim hard at work. It was going to be a long night, and he didn't want her to be uncomfortable. They staked out a space in the lounge and chatted with Jeff for a while. Eventually, Emily came in. They talked and had a couple of drinks. He didn't meet Emily, Justin, Andy, Nick, Matt, and Rudy at the place; but they shared some good times there. He was happy and grateful that they were his friends.

Sammy Kay started his solo set. The crowd was pretty big for it being so early. As usual, several people stayed by the bar while some -- Including him. Always including him. -- moved up front. Sammy asked everyone to put away their phones for the night. It was a futile but thoughtful request. Somewhere in there, Scott tapped him on the shoulder.

"No Tim?"

"No." Apparently, young Tim wanted to rest up for his pee wee football game.

Sammy climbed down from the stage and unplugged for a campfire-style sing along at the end of the set. The people at the bar probably couldn't hear much. He loved it.

He weaved through the crowd. Hugs. Chit chat. They hadn't eaten. His wife ordered a grilled cheese from Snack World. Jalapeño and tomato.

He moved up front again for Lost In Society. There were lights tonight. Rare for the place. Mostly from behind the performers. He got lots of silhouette shots. So many that it would become obvious he just couldn't handle the lighting and wasn't being arty. Lots of photographers now. Climbing all over the place. Flashes. He stayed put. No flash. Like usual.

Lost In Society were all over the stage, constant motion. The people loved it. Brownie found him; shook his hand. Zach climbed on top of the monitor and jumped back to the stage. Chris was there pumping his fist and singing along.

He found his wife and friends again. Offered to get drinks. Was gone for a long time as he talked to people in the crowd. Kiley hugged him.

Back up front for The Holy Mess. The Philly portion of the evening had begun. They were funny. Personable. He liked the music. Punk / pop punk / rock. K8 tore up their setlists, laughing, throwing them back at the band. The pieces mixed in with the confetti that Carrot Topple was throwing around. A mosh pit started up. The band confirmed that Beach Slang were the special guests. He'd known, but his excitement built.

He didn't leave the front of the stage after their set. He didn't want to give up his spot. Yes. He's still a grown man, husband, father of two. His wife found him and stayed.

"Will I be ok here? Am I going to get thrown around?"

He thought she'd be fine. Emily pushed her way up with them, too.

James, Ed, Ruben, and JP took the stage and James said something like, "We're just the background music. Just do what you're doing and we'll be up here making it loud." Then James giggled in that nervous way he does. It made Emily and his wife laugh. They started their set. "Filthy Luck."

He screamed the lyrics. He snapped pictures. He started to sweat. His eyes got watery. He looked over at his wife getting jostled and squished. He felt the crowd at his back. By the time he was singing, "I'm screaming out my lungs with my best friends!!" he was a ball of sweaty emotion. His wife had had enough of the stage diving and jostling, so she took a few steps back. He was disappointed when he didn't see her anymore, but he got it.

The crowd wanted more. Beach Slang didn't have any more. James suggested someone come up and play while they convened to figure out what they would do. Deaglan, Matt, and Brian from Corrina, Corrina were goaded into going onstage. So nervous. "Boxcar." Nervous banter. Gentleman Jim on the PA giving them a hard time. "Can't Hardly Wait." Ruben came out and played lead guitar with them. They were over the moon. So much fun.

The bassist from The Holy Mess came out and did Against Me!'s "Joy" solo. Nice. Beach Slang came back. The crowd wanted more covers. "Game of Pricks." Then they did all-time Jersey classic "Anything, Anything," and the place went bananas. He was pinned to the stage and thrown from side to side. He tried taking pictures. Topple, Ed the Punk, Jason all dove off the stage at some point. The band closed with a new song from their upcoming record. That was it. The last set.

"The last set," he thought.

He found his wife again. "I want to get a picture of Gentleman Jim at the board," he said. Alex was over there and showered him with kisses. He did a little series of shots with Alex -- Gentleman Jim, Corrina, Corrina, Emily, Scott, selfies. He really loves that guy.

His wife was spent. He wanted to stay and say his goodbyes, take more pictures; but the crowd was so big. Quick snaps of Ed the Punk, Leeann, Nikki. An emotional hug from Dave. Bob not sure what he was going to do with his weekend evenings from now on. Handshakes and hugs with Chris and Amy. Texts from Allyson. Texts from the other Bob. "Where R U?"

He was driving home with his beautiful wife. They'd probably be spending a lot more evenings together doing something other than going to shows now. No small thing, that.

The Aftermath

The next day felt so strange. Sunday. 9:30am Jets football from London. They won.

He had fatherly commitments that kept him from heading down one, last time. He never quite felt like he had as much of a claim to the place as other people. He'd been going to shows there for less than half the time they'd been throwing them. He loved it so much, though. Sold-out shows. Shows with 12 people in the crowd. It didn't matter. It meant so much to him. It took him in like he'd been there all along. It saved him at a time when he was lost.

It surprised him, how much difficulty he had sleeping that night. He felt weird. Maybe he was worried he'd get lost again. He didn't know, but he was pretty sure that the place had helped him build something in himself that made that impossible.

Maybe the gods put a scare into the powers that be. Maybe they'll do the right thing.

A few tears rolled down his face when he wrote about his last two nights at the place.

You can go to Flickr to see shots from the last 2 nights at Asbury Lanes.

Beach Slang













The Holy Mess













Lost In Society













Sammy Kay













Saturday Night













Friday Night

Wednesday, September 30, 2015

Beach Slang Cover Dramarama

Beach Slang's James Alex at Asbury Lanes in July 2015.

"Anything, Anything"

Back when I was a teenager careening around the Jersey Shore in my 1980 Toyta Tercel and listening to FM 106.3: "Your Rock Alternative," Dramarama's "Anything, Anything" was a pretty iconic song. I think there was even one year there -- maybe 1987-1988 -- when "Anything, Anything" topped one of those "Top 106 Songs Ever" countdowns on the station, beating out The Smiths' "How Soon Is Now" for the honor. That's some home field advantage, right there.

Today, Beach Slang released a pretty faithful and pretty awesome cover of that iconic song from my youth. The band put their own within-an-inch-of-their-life spin on a pretty within-an-inch-of-its-life song. "Anything, Anything" will appear on the band's Here I Made This For You mixtape which is due on Cassette Store Day, 10/17/15. The five-song collection will also include covers of songs by Ride, The Plimsouls, Senseless Things, and Best Kissers In The World.

As far as original Beach Slang material goes, the Philly band's debut LP, The Things We Do to Find People Who Feel Like Us, comes out on Polyvinyl on October 30th.

And, just a word of advice: If you ever get even a hint or an inkling that you may be able to catch Beach Slang live, don't miss it. You'll regret it if you do.



Wednesday, August 5, 2015

First Single From Beach Slang's Upcoming Debut LP


"Bad Art & Weirdo Ideas"

This was a weird day. I was at The Saint until about midnight last night trying to lose myself in some live music and picture-taking as I worried about a meeting I had this morning. Didn't really sleep much and spent the morning all agitated until my 9:30 call. Turned out the call wasn't about what I thought it was going to be about... ...this time. But I never really ratcheted myself down to normal levels.

I spend most of every day here at CDMHQ alone with CoolDog; and, while he's a great listener, he doesn't really say much. The only conversation I really got today was the droning of people on conference calls who were just expecting me to act all normal when I'd gotten myself so worked up.

Sorry to be all cryptic here, but the details aren't important. The only thing that's important is that, sometime around midday, Philadelphia's Beach Slang released the first single from their upcoming The Things We Do To Find People Who Feel Like Us. "Bad Art & Weirdo Ideas" wraps everything I love about this band into a neat little package.

Frontman James Alex is far from a kid, but he writes songs and embraces the world with all of the enthusiasm and crazy romanticism of someone 20 years younger than he is. In his interview with me, the 40 year-old said, "Really, man, I'm still that same kid going to basement shows, reading zines, spending everything on records, slashing at my guitar, you know?"

So, when I heard the guitar that opens "Bad Art & Weirdo Ideas" echoing through my little home office; and when I heard James Alex straining to sing, "I've always felt stuck, alone, or ashamed!" I thought back to a couple of weeks ago when I was screaming lyrics at the stage like some kind of kid. Like the kid I've always been.

I kind of decided that I would just let go of everything for three or so minutes as the song blasted through my little speakers. And then I decided I'd do it again. And again.

The Things We Do To Find People Who Feel Like Us is due from Polyvinyl on October 30th.



Tuesday, July 28, 2015

Beach Slang (or T. LaRock's Asbury Lanes Takeover)


"They Don't Know The Power Of Amplifiers"

They don’t. We do. I haven’t been out all that much lately. Here and there I surface, and Jim makes mention of a Scotch sighting; but, for the most part, I’ve missed time in the city by the sea. There is construction throughout Asbury and things are starting to look a little different. As T. LaRock (coined by Jim, aka T.Slice aka T$) and I walked up to Asbury Lanes, I felt my heart sink a little as the fresh concrete has taken away the porch and steps. The times, they are a changin’. That’s part of the reason why I wanted to take my 8 year old son to Asbury Lanes, maybe for his last time to see one of my favorites (and steadily becoming one of his), Beach Slang. There’s a thing about the Lanes that feels different to me. Different from my years in Brooklyn or on the LES. Even though I’m just a guy who goes to shows there occasionally, I always manage to run into someone I know or someone new or... ...well it feels like community, sometimes even family. And, I’m saying this as someone who resides just on the fringe. I can’t imagine what these changes feel like for some who call it home. I’m sure there will be better tributes along the way but I couldn’t help but feel a little something while I was standing at the foot of a bowling lane with my son taking in a punk rock show. We got to the Lanes early to meet up with Jim and his permanently affixed camera bag. (I’m beginning to think he and the camera are merging to form a CoolDad Cyborg but that’s for another time.). Grilled cheeses, quesadillas, tater tots, and lots of shooting the breeze before The Scandals hit the stage. T. and I checked out James Alex's killer bowling form and got a little meet and greet before the show, and T. started to realize how big his choice of a Bad Brains tee was. The Scandals roared through their set. This was the first time taking them in, and they live in that sweet spot somewhere between the early Gaslight records and the Bouncing Souls. Head bobbing and The Scandals brought the rock and/or roll. Hurry was up next, but we needed ices as the Lanes can be a tad steamy, even with the side doors open. (Snacks are key if you bring your kid to, well, anything.) We met up with our buddy JS1, in all the way from Upstate New York. He too traded the city for trees and is about to become a CoolDad himself in a couple months. Less colored vinyl, more colored bibs, Joe. We strolled down to the boardwalk and we marveled at the sheer volume of people at the beach. One cherry-chocolate ice later, and we three were back at the Lanes for Beach Slang. Tom, another former Brooklyn guy, now shore resident, and punk rock warlord, made it out and joined the group. We were rollin’ deep as Beach Slang tore through their set. We positioned ourselves front and center and started our sing alongs. We got treated to a great set that included some new tunes and a cover of Jawbreaker’s “Bad Scene, Everyone’s Fault." And then, James thanked T. and me for coming to the show and launched into “American Girls and French Kisses," which included an awesome false start. T. was overwhelmed and, well, I was too. Couldn’t ask for more. We hung around after the show and said our goodbyes and got hugs from James. Lots of hugs. There were records, pins, stickers and tees (thanks Ed and Ruben) and lots of love. Best. I’ve been obsessing on Beach Slang for basically a year now. I’ve seen them at as many shows as I could get to in Brooklyn and Asbury. Every time feels electric. All heart. My interaction with the band, well, they’re just really great guys. James, Ed, Ruben, and JP are some of the friendliest, sweetest people I’ve met in the 30 odd years of going to shows. Yeah, 30. Wow. Just reread that myself. They made my son feel like the rock star on Saturday. I’m floored by how they reacted to him and how that shout out from the stage has been the talk of my house since. Asbury Lanes knows the power of amplifiers. SAVE Asbury Lanes.