Sunday, February 28, 2016

Lost In Society and dollys Released Records at Convention Hall with gods, Kyle Trocolla, and Derek Rossi, 2/26/16

Lost In Society

Upstairs

When I saw the announcement that Lost In Society and dollys would be holding their joint record release "upstairs at Convention Hall," I became intrigued. I wasn't exactly sure what they meant, but I'm always interested in new places for shows.

It turns out that Friday's show took place in, I guess, what you'd call the western, upstairs lobby of Convention Hall -- the one with the bars. Even though I've been up there many times, the space registered with me as quite a bit bigger than what I thought I remembered. There was a temporary stage at the south end of the long hallway with merch tables at the opposite end, at the top of the stairs. Lights and having the stage backed up to the south-facing windows made for a pretty dramatic look. Sound was going to be a challenge, I thought, as Convention Hall is pretty much a huge, boomy, concrete box.

Friends and former tour mates of Lost In Society, Derek Rossi and Kyle Trocolla, started things off with acoustic sets. The pair had driven down from Boston together that day to hop on the show as they set off on their own tour. Both delivered sets that moved between the folky and the punky, the heartfelt and the humorous. Like the carousel house over the summer, the natural reverb of the space made both acoustic sets sound very big.

The full-band portion of the evening started with gods. I popped in my earplugs as gods set about filling the room with their manic psych rock. I was glad I had them. If the acoustic acts sounded "big," then gods were absolutely massive, Sam Bey's drum hits ricocheting around the place like artillery fire. gods are great at what they do, and I'm always happy to see them on a bill.

The space had been filling steadily since the first acts; and, by the time we saw Natalie Newbold's small drum kit being set up at center stage, the audience stretched to near the back of the room. dollys played every song from their just-released low year during their set, and the crowd up front sang along with most of it. At one point, ROMP's Mike Linardi took over on drums as Newbold came downstage for lead vocals on a cover of David Bowie's "Suffragette City." That was a fun moment; but when dollys are locked in on their own songs, they're hard to beat. Jeff Lane's solo on "how charming." Erik Romero's bass part on "friendly." Newbold's vocal on "i know" or "cornerstones." As usual, when the band announced the last song, everyone wanted more.

Lost In Society closed things out in front of what, at this point, felt like the old crowd from Asbury Lanes. Frontman / guitarist Zach Moyle and bassist Nick Ruroede are non-stop motion onstage. I was, unfortunately, once again unsuccessful at satisfyingly capturing Moyle during one of his airborne moments. There were plenty of photographers in attendance, though, who got great shots (Phil Shepherd, Jeff Crespi, Chris Spiegel, and, and, and, ...). Look for those.

Lost In Society's set covered material ranging from "this is a really old song" to songs off of the band's latest release, Modern Illusions. Many of the new tracks have been part of the band's live show for some time, so I noticed quite a few people mouthing every word throughout. As I said, a scan of the crowd made it feel a little like we were back at Asbury Lanes; and that just felt right.

In all, the show in the new space was a success. All of the bands turned in great sets. The room looked great with the stage, the light show, and balloons strewn all around. It is incredibly challenging from a sonic perspective, and there were times when we were swimming in a wall of noise. That did little to dampen anyone's enjoyment, and it will be interesting to see how the powers that be adjust to that if they hold more shows in the space. I'd like to see them give it a few more tries.

Pictures from the evening are up in the galleries (hi rez) or over on the CoolDad Music Facebook page (Facebook rez).

dollys

Friday, February 26, 2016

Lost In Society / dollys Joint Record Release Show TONIGHT, 2/26, Upstairs at Convention Hall. Presented By Asbury Lanes.


Modern Illusions / low year

It seems strange to call them this, but Lost In Society are veterans. They've been at it for over 10 years now playing shows on just about every corner of the map with the likes of Taking Back Sunday, The Bouncing Souls, Bad Religion, and more. Tonight, Lost In Society celebrate the release of Modern Illusions, an album two years in the making, with a show in front of a hometown crowd upstairs in Asbury Park's Convention Hall.

Lost In Society recorded Modern Illusions with The Bouncing Souls' Pete Steinkopf and started streaming the record this week over at Idobi Radio. Like the band's live show, Modern Illusions takes off at a breakneck pace and never lets up. Current live set staples like "Not Afraid" come across with just as much energy on the album as they do live, and it should be something to see them performed once again in front of an Asbury crowd.

Joining Lost In Society on tonight's bill and releasing their own LP are New Brunswick's dollys. low year is a compilation of all the singles dollys have released since recording their debut Oh, Please. I premiered a pair of the songs here last year, and I think I've discussed just about every one as they were released. I won't say too much more other than to point out that having these tracks collected in one place really illustrates the brilliance of this band. Unconcerned with current styles or trends, dollys continue consistently releasing songs that deserve to be pop classics. And live, dollys continually deliver special moments -- from the emotional performance of "cornerstones" in front of friends and family at the Oh, Please release show to the audience screamalong that accompanied the same song last month at The Saint.

Rounding out tonight's bill are Asbury psych / garage rockers gods, Kyle Trocolla, and OC45's Derek Rossi. Lost In Society were part of what stands right now as the last show at Asbury Lanes, so it seems only fitting that everything is being presented tonight by the beautiful people who staffed that venue. Doors are at 7:30 and $10 gets you inside.








Monday, October 5, 2015

The Last 2 Nights at Asbury Lanes For Now: Beach Slang, The Holy Mess, Lost In Society, Sammy Kay, Brick + Mortar, Gimme Drugs, Super Dad

Philly's Beach Slang played the last set at Asbury Lanes before it closed for renovations.

Thanks

Friday, October 2nd, 2015

He had big plans. The rain was really coming down, and the wind was howling. It was a perfect evening to listen to some records and dig into that new bottle of whiskey his wife just bought him. A couple of beers with dinner had gotten him started when he got the message: "Brick + Mortar playing tonight."

He'd seen the band a few times, and he knew they really brought people out. It was the next-to-last night at the place, a good chance to see everyone one extra time. He stopped 3/4ths of the way through his second beer, packed up his camera bag, and got in the car.

Wow. The rain was vicious. He could feel the wind buffeting the car as he drove. "The gods are angry. They don't want anybody messing with the place." He thought that was pretty clever and tried to think of a way to work it into whatever he was going to write.

There was one last spot right out front. Bob and Jenn greeted him as he walked in. "You made it in time for Super Dad!" He thought that was pretty funny -- and appropriate. "Super Dad."

Super Dad was Josh from Snack World, the guy with all the great t-shirts, the guy who would skateboard around on the hardwood floors of the lanes after shows. Super Dad was comedy, music, performance art all rolled into one. Super Dad smoked. Super Dad stripped from a bathrobe and pajamas down to a pair of briefs emblazoned with the place's logo. Super Dad climbed onto the bar in the lounge where the set took place. Super Dad threw his body into the spectators. Super Dad burned a dollar bill and almost set his clothes on fire. Super Dad gave him a pretty hard bite on the shoulder. It was funny. He could feel a lump forming in his throat.

Gentleman Jim showed up, disappointed at having missed the surprise performance by his friend and co-worker. He talked with Gentleman Jim about their kids and the school. He talked about the little spark of activism rising in his daughter over her indignity at the sexism of the school's dress code and felt himself feeling kind of proud of her. He thought about all the times he'd spent talking with Gentleman Jim about the place. He thought about how they wouldn't have it to talk about anymore. Gimme Drugs started in the lounge.

A few more people had filed in by this time, and the lounge was more crowded. Jenn sat cross-legged on the floor. He got a spot from where he could snap a few pictures, but he didn't take as many as he normally would have. It was dark. There were other photographers. Even Zak brought his camera. Pete took videos on his phone. This was a reunion for Gimme Drugs and it was his first time seeing them. He'd seen Michael Jackson & The Beetles before, but never Gimme Drugs. They were good.

He floated around, mostly hanging and talking with Gentleman Jim until Brick + Mortar came on. They're a popular band who don't play locally too often. He'd see Brandon or John at shows sometimes. May have even spoken to them once or twice. He presented them with an Asbury Music Award once, but they didn't really know him. Brick + Mortar packed out the lounge. There were projections. There were unicorn puppets. There were big "HEY" signs. He thought he saw some crowd-surfing, or at least shoulder sitting, after he wormed his way out of the crowd.

When it was all done, he talked with Zak and Gentleman Jim for a while. Gentleman Jim appeared a little down about not being slated to work the show the next night. He had a feeling Gentleman Jim would find a way. He headed out to the car, happy to find that the police didn't appear to feel like writing tickets in the rain.

Saturday, October 3rd, 2015

The next day had a weird feeling about it. The weather was still terrible. The gods were still angry. The girls slept in, and his oldest never even put pants on all day long. She's turning into a real teenager. His wife ribbed him a little bit about his desire to get there so early like she always does.

They walked up the steps past Brian, Deaglan, Matt, Nick, and a few others. As they walked in, they spied Gentleman Jim hard at work. It was going to be a long night, and he didn't want her to be uncomfortable. They staked out a space in the lounge and chatted with Jeff for a while. Eventually, Emily came in. They talked and had a couple of drinks. He didn't meet Emily, Justin, Andy, Nick, Matt, and Rudy at the place; but they shared some good times there. He was happy and grateful that they were his friends.

Sammy Kay started his solo set. The crowd was pretty big for it being so early. As usual, several people stayed by the bar while some -- Including him. Always including him. -- moved up front. Sammy asked everyone to put away their phones for the night. It was a futile but thoughtful request. Somewhere in there, Scott tapped him on the shoulder.

"No Tim?"

"No." Apparently, young Tim wanted to rest up for his pee wee football game.

Sammy climbed down from the stage and unplugged for a campfire-style sing along at the end of the set. The people at the bar probably couldn't hear much. He loved it.

He weaved through the crowd. Hugs. Chit chat. They hadn't eaten. His wife ordered a grilled cheese from Snack World. JalapeƱo and tomato.

He moved up front again for Lost In Society. There were lights tonight. Rare for the place. Mostly from behind the performers. He got lots of silhouette shots. So many that it would become obvious he just couldn't handle the lighting and wasn't being arty. Lots of photographers now. Climbing all over the place. Flashes. He stayed put. No flash. Like usual.

Lost In Society were all over the stage, constant motion. The people loved it. Brownie found him; shook his hand. Zach climbed on top of the monitor and jumped back to the stage. Chris was there pumping his fist and singing along.

He found his wife and friends again. Offered to get drinks. Was gone for a long time as he talked to people in the crowd. Kiley hugged him.

Back up front for The Holy Mess. The Philly portion of the evening had begun. They were funny. Personable. He liked the music. Punk / pop punk / rock. K8 tore up their setlists, laughing, throwing them back at the band. The pieces mixed in with the confetti that Carrot Topple was throwing around. A mosh pit started up. The band confirmed that Beach Slang were the special guests. He'd known, but his excitement built.

He didn't leave the front of the stage after their set. He didn't want to give up his spot. Yes. He's still a grown man, husband, father of two. His wife found him and stayed.

"Will I be ok here? Am I going to get thrown around?"

He thought she'd be fine. Emily pushed her way up with them, too.

James, Ed, Ruben, and JP took the stage and James said something like, "We're just the background music. Just do what you're doing and we'll be up here making it loud." Then James giggled in that nervous way he does. It made Emily and his wife laugh. They started their set. "Filthy Luck."

He screamed the lyrics. He snapped pictures. He started to sweat. His eyes got watery. He looked over at his wife getting jostled and squished. He felt the crowd at his back. By the time he was singing, "I'm screaming out my lungs with my best friends!!" he was a ball of sweaty emotion. His wife had had enough of the stage diving and jostling, so she took a few steps back. He was disappointed when he didn't see her anymore, but he got it.

The crowd wanted more. Beach Slang didn't have any more. James suggested someone come up and play while they convened to figure out what they would do. Deaglan, Matt, and Brian from Corrina, Corrina were goaded into going onstage. So nervous. "Boxcar." Nervous banter. Gentleman Jim on the PA giving them a hard time. "Can't Hardly Wait." Ruben came out and played lead guitar with them. They were over the moon. So much fun.

The bassist from The Holy Mess came out and did Against Me!'s "Joy" solo. Nice. Beach Slang came back. The crowd wanted more covers. "Game of Pricks." Then they did all-time Jersey classic "Anything, Anything," and the place went bananas. He was pinned to the stage and thrown from side to side. He tried taking pictures. Topple, Ed the Punk, Jason all dove off the stage at some point. The band closed with a new song from their upcoming record. That was it. The last set.

"The last set," he thought.

He found his wife again. "I want to get a picture of Gentleman Jim at the board," he said. Alex was over there and showered him with kisses. He did a little series of shots with Alex -- Gentleman Jim, Corrina, Corrina, Emily, Scott, selfies. He really loves that guy.

His wife was spent. He wanted to stay and say his goodbyes, take more pictures; but the crowd was so big. Quick snaps of Ed the Punk, Leeann, Nikki. An emotional hug from Dave. Bob not sure what he was going to do with his weekend evenings from now on. Handshakes and hugs with Chris and Amy. Texts from Allyson. Texts from the other Bob. "Where R U?"

He was driving home with his beautiful wife. They'd probably be spending a lot more evenings together doing something other than going to shows now. No small thing, that.

The Aftermath

The next day felt so strange. Sunday. 9:30am Jets football from London. They won.

He had fatherly commitments that kept him from heading down one, last time. He never quite felt like he had as much of a claim to the place as other people. He'd been going to shows there for less than half the time they'd been throwing them. He loved it so much, though. Sold-out shows. Shows with 12 people in the crowd. It didn't matter. It meant so much to him. It took him in like he'd been there all along. It saved him at a time when he was lost.

It surprised him, how much difficulty he had sleeping that night. He felt weird. Maybe he was worried he'd get lost again. He didn't know, but he was pretty sure that the place had helped him build something in himself that made that impossible.

Maybe the gods put a scare into the powers that be. Maybe they'll do the right thing.

A few tears rolled down his face when he wrote about his last two nights at the place.

You can go to Flickr to see shots from the last 2 nights at Asbury Lanes.

Beach Slang













The Holy Mess













Lost In Society













Sammy Kay













Saturday Night













Friday Night

Wednesday, September 9, 2015

Screaming Females Headlining Dark City Entertainment's Halloween Show at Convention Hall

Screaming Females at Starland in July.

Convention Hell

I'd heard rumors about this, and I'll admit that I was a little skeptical. How could Dark City Entertainment's totally local (and totally fun and totally sold out) Halloween covers show get so much bigger after just one year? Well, you've got to hand it to Christine Feola. She announced something really big for this year's show.

New Brunswick's Screaming Females will headline this year's event, which takes place at Asbury Park's Convention Hall on Halloween Night, Saturday, October 31st. Dubbed "Convention Hell," the show will feature Screaming Females performing both their own originals and covers of songs by X, a Hall and Oates set from members of The Bouncing Souls and The Parlor Mob, Lost In Society doing The Clash, members of Ether Sunday and Yawn Mower performing as Nirvana, Dentist covering Green Day, and Des and The Swagmatics giving their take on Stevie Wonder.


The Battery Electric performing as The Misfits at last year's Dark City Halloween show.

That adds up to lots of our friends and favorites coming together for what sounds like a super fun Saturday night Halloween party.

Tickets for the 21 and over event go on sale this Friday, 9/11, at noon via Ticketmaster; but you'll also be able to grab tickets at Wonder Bar during Happy Mondays while they last.

And, and, and...  ...You can catch Screaming Females for FREE in New Brunswick's Boyd Park when they headline the Don Giovanni Showcase with Downtown Boys, Electric Trip, Izzy True, Wild Rice, Glazer, and Delucy this Saturday at noon.



Monday, July 21, 2014

The Bouncing Souls Played The Stone Pony Summer Stage w/ The Menzingers and Ted Leo, 7/19/14


Home for the Summer

The Bouncing Souls celebrated their 25th anniversary as a band on The Stone Pony's -- a venue celebrating its own 40th anniversary this year -- outdoor Summer Stage on Saturday. The band had help from Ted Leo and The Menzingers. It was a cool and beautiful evening, and the whole night really brought home for me what a wonderful little musical community we have here in our area.

I'd won tickets to the show from Live Nation a few days before. Swim meets and poor planning, though, meant that CoolMom couldn't join me; and my +1 went unused. Heading out solo did give me the opportunity to leave early and stake out my place in the front. I knew I'd see plenty of familiar faces.


Almost immediately upon arriving, I saw the guys from Corrina, Corrina right up front. I'd be seeing more of them as the evening progressed -- mostly as they surfed atop the crowd during the sets by The Menzingers and The Bouncing Souls. I met our barricade neighbor from one of last year's Home for the Holidays shows leaning on the rail just like she'd been in December. Scotch LaRock showed up, his boy wearing the shirt he'd had autographed by Greg Attonito at the Play Date show a few weeks back. Chris from Speak Into My Good Eye joined us for a while before disappearing into the sea of bodies during The Menzingers set.

Ted Leo came out at around 6:30 and did a solo electric set featuring favorites like "Timorous Me" and "Me and Mia." He played new songs -- one so new, he had to stop a few times to remember the chords -- and a song or two from his project with Aimee Mann, The Both. He talked about seeing The Bouncing Souls in Newark when he was younger and noted that this was the first time in the band's twenty-five year history that they'd ever shared a bill. He had several fans (like me) up front who clapped in time in all the right places and sang along. Even those less familiar with his work looked like they were won over by the end.

The Menzingers took the stage at just about 7:30, I guess. Things went absolutely bonkers in the pit. The band played a full 15-song set; and, almost from the first guitar notes of "I Don't Wanna Be An Asshole Anymore," people started cruising overhead into the waiting arms of the beefy security contingent manning the buffer zone. Hey, Brian! Hey, Luke!


Everybody around me sang every word. The LaRocks headed for environs more appropriate for second-graders; and Chris R. disappeared into the fray, fist-pumping and screaming along. I held firm and tried to take some pictures. A few security guys came into the audience to set up a perimeter around the mosh pit, but there was plenty of leakage.


Little did I know that what I'd just experienced was only an amuse-bouche when compared to what was coming for The Bouncing Souls. My December friend from the front directed a couple of guys and me to set up a bro-proof wall around her so that she could enjoy the show in relative peace. I did my best; but, as the band broke into "Hopeless Romantic" after taking the stage at around 8:45, the heave of the much-larger-than-indoors crowd brought me to the realization that my efforts at protection (and picture-taking) would be futile. I did what I could through, I think, "East Coast! Fuck You!" but I beat a path toward the back soon after.

That's not to say I didn't enjoy the set. Compared to the eclectic sets the band usually play in December, Saturday's show was a nice greatest hits collection that included "Lean on Sheena," "Manthem," "Lamar Vannoy," a cover of "Do You Wanna Dance," and "True Believers" among others. And I do prefer getting sweaty up front to watching things from a distance, but at some point -- and after a couple of Converse-induced near concussions -- self-preservation comes into play.

The band and The Stone Pony shared a cake in celebration of their respective anniversaries. Family and friends of both were onstage for the entire set. I found the LaRock boys again and we sang along with the rest of the show from a safe distance.

When the show was done, the gates to the street were thrown open and I made a bee-line for the boardwalk and some Korean tacos. As we all walked away we could hear the exhortations from the stage to be respectful to the surrounding community, and I'm sure everyone had no problem abiding by that one.

After tacos, it was over to Asbury Lanes for the after party where a good chunk of the familiar faces from the Pony had made their way. A young man getting ready to ship out for navy bootcamp asked me if I'd seen any of The Bouncing Souls come through. He wanted to get his poster signed before he left home. I pointed him in the direction of Pete Steinkopf. A few minutes later, he came by -- absolutely beaming -- to show me Pete's signature.

Alabama's Lee Bains III and The Glory Fires and local favorites Lost In Society each delivered rowdy and sweaty sets to the big, late-night crowd. Bains was among the crowd, mauled as he shredded away on his SG. Lost In Society's Zack Moyle scaled one of the speaker towers, leaping back down to the stage at the end of his band's set.

It was an uplifting night -- a party from beginning to end that celebrated the thriving music community we have here in our backyard. I'm really happy that -- over the last two-plus years -- I've gotten to know some of the people who work so hard to keep it going. They've all given us a great summer of music so far; and I'm glad that, thanks to The Bouncing Souls, they got a night to celebrate.

You can see my pictures from the night up at Flickr. See you at the next show.