Monday, March 9, 2020

Heart Bones Played The Saint with Real Dominic, Dentist, and Lowlight, 3/7/20

Heart Bones at The Saint

Hot Dish

I wrote some things about Heart Bones' debut LP, Hot Dish, here a few days ago. It was the first album review sort of thing I've done here in quite a while. Ever since it came out, Hot Dish has been a goto album for me; so I was understandably excited by the prospect of having any involvement with Heart Bones' show at The Saint. Chris Dickman and I booked the locals and spent the last few months extolling the virtues of Heart Bones to anyone who would listen to us. And, damn, Asbury showed up. It was a packed Saturday at The Saint from the moment that Dentist took the stage to kick things off.

It's been about a month since Dentist played locally as a full band. The early crowd was large and enthusiastic. The band have recently holed up to work on some new songs. They brought three of those out on Saturday. My initial impressions are that Dentist continue to get better and better. It's hard for me to put into words, but the new songs reveal a clear evolution of the band's songwriting and sound while keeping all of those things that we love about Dentist. I'm looking forward to being able to sit down with the new tracks and give them a proper listen.







New York's Real Dominic was next. Dom Rabalais puts on a show that incorporates burlesque, metal, club music, projected visuals, multiple costume changes, dance, athleticism, and a giant sword. For, maybe, the first few seconds, the crowd didn't know what was going on. After that, they didn't care and just got swept up in the freakiness. Real Dominic had an accomplice who was taking video of all the proceedings, they passed me the camera as Dom called them onstage; and I used it to shoot a workout routine that consisted of Real Dominic doing calisthenics and pushups with another human being on their back.







Heart Bones had the 10pm slot. In keeping with the band's 80s aesthetic, Sean Tillmann and Sabrina Ellis took the stage in Members Only Jackets. The pair's chemistry was evident from the get-go. They cycled through dance moves that had the appearance of being both choreographed and utterly spontaneous. They laughed with each other throughout the set and, at one point, got the whole crowd moo-ing in unison. Tillmann took out his phone and took a video from the stage to send a hello back home to the band members' significant others.




The energy of the already infectious Hot Dish tracks ratchets up to 11 during the live performance. "Open Relations," "Claws '87," "Beg for It," "Little Dancer," "This Time It's Different," and everything else from the record had the crowd moving and sweating right along with the band. A cover of The Jets' "Crush on You" was a blast as well. I've said it before, but Tillmann and Ellis are two of the most "all-in" performers you'll ever see. That creates a connection with the crowd that few other acts can achieve. More than one person told me after the set (and this is 100% true) that Heart Bones are their new favorite band. I was still getting texts saying the same thing the next day. So there you go.







After a short break, local heroes Lowlight came on to take us into the wee hours of Sunday morning with a late set. They sounded absolutely epic. They grabbed the crowd, nearly spent from a few hours with the gas pedal stomped firmly to the floor, and shook them awake for one, final push. People left with the strains of "Horsefoot" or "Bones" still ringing in their ears and probably even forgot they'd be losing a precious hour of sleep to daylight savings time.







Nights like Saturday give me the energy to keep going, not only here at the blog but also just day-to-day. A pair of touring bands coming through and willing the Asbury crowd over to their side. Two of the absolute powerhouse local acts from town. Our friends at The Saint and Little Dickman. All at a packed house. It doesn't get any better.

All of the pictures from the evening are up in the Flickr galleries.

Wednesday, January 22, 2020

Oh, Hey! New Songs from Heart Bones, Waxahatchee, and Wye Oak


...And They're All Stopping Nearby

So, wedged in with going to swim meets, obsessing on CoolDaughter 1's college search, not taking pictures at shows, and catching up on movies I missed over the last couple of years (Hereditary and The Lighthouse are both bonkers and truly amazing), I've been trying to keep up with new music coming down the 'pike. Here's some stuff.

Heart Bones, "Don't Read the Comments"

Heart Bones is a collaboration between Sabrina Ellis (A Giant Dog, Sweet Spirit) and Sean Tillmann (aka Har Mar Superstar). Each is a lay-it-all-on-the-line performer, and the combination of their powers produces infectious pop that draws inspiration from influences as varied as doo wop and electronica. "Don't Read the Comments," the second single from the duo's forthcoming Hot Dish (February 21st), is good advice in an age when people anonymously tear each other apart. The song encourages ignoring toxicity and hanging onto your self-worth.

I've seen a few Heart Bones live performances at this point, and I have to say that the experiences have been full of community and life-affirming energy. That's why I'm happy to say that Little Dickman Records and I have Heart Bones coming to The Saint in Asbury Park on Saturday, March 7th, along with our bestest besties in Dentist and Lowlight. Grab tix and come on out.



Heart Bones on tour:

2/14 - St Paul MN -- Turf Club (SOLD OUT)
2/28 - Milwaukee WI -- The Cooperage
2/29 - Moline IL -- Rust Belt
3/1 - Chicago IL -- Empty Bottle
3/3 - Columbus OH -- Rumba
3/4 - Brooklyn NY -- Knitting Factory 
3/5 - Philadelphia PA -- Johnny Brendas
3/6 - Millersville PA -- Phantom Power
3/7 - Asbury Park NJ -- The Saint
3/8 - Boston MA -- Great Scott
3/10 - Baltimore MD -- Metro Gallery
3/11 - Carrboro NC -- Cats Cradle Backroom
3/12 - Atlanta GA -- The Earl
3/15 - Houston TX -- White Oak Music Hall
4/4 - Fargo ND -- The Hall
4/5 - Omaha NE -- The Reverb
4/6 - Kansas City MO -- Record Bar
4/7 - Denver CO -- Globe Hall
4/8 - Salt Lake City UT -- Urban Lounge
4/10 - Seattle WA -- The Sunset
4/11 - Portland OR -- Jack London Revue
4/12 - San Francisco CA -- The Chapel
4/13 - Palm Springs CA -- The Alibi
4/14 - Los Angeles CA -- The Echo
4/15 - San Diego CA -- Soda Bar
4/16 - Phoenix AZ -- Valley Bar
4/17 - Marfa TX -- Lost Horse Saloon
4/18 - San Antonio TX -- Paper Tiger

Waxahatchee, "Fire"

As unbelievable as this is to me, Katie Crutchfield has been making music as Waxahatchee since before there ever was a CoolDad Music. Waxahatchee has been a big favorite around here since 2012's American Weekend, and Crutchfield has evolved with each successive release. "Fire" features Crutchfield's heartbreaking Alabama lilt and soul-baring songwriting. Crutchfield calls the song a "personal pep talk" about loving herself unconditionally despite past mistakes and regrets. Sonically, the song peels back some of the more rocking sounds of 2017's Out in the Storm in favor of a softer, Americana vibe.

"Fire" is the lead single from Waxahatchee's Saint Cloud, which is due from Merge on March 27th. Waxahatchee will be at Philly's Union Transfer on April 14th, and at Elsewhere in Brooklyn for two nights on April 18th & 19th.



Waxahatchee on tour:

4/10 - Detroit, MI -- Jam Handy *
4/11 - Pittsburgh, PA -- Rex Theater *
4/14 - Philadelphia, PA -- Union Transfer *
4/15 - Holyoke, MA -- Gateway City Arts *
4/16 - Boston, MA -- Royale
4/17 - Providence, RI -- Columbus Theatre *
4/18 - Brooklyn, NY -- Elsewhere ^
4/19 - Brooklyn, NY -- Elsewhere ~
4/23 - Washington, DC -- 9:30 Club *
4/24 - Saxapahaw, NC -- Haw River Ballroom *
4/25 - Nashville, TN -- Mercy Lounge *
4/26 - Atlanta, GA -- Terminal West *
4/27 - Birmingham, AL -- Saturn *
4/29 - Baton Rouge, LA -- Mid City Ballroom *
4/30 - Houston, TX -- The Satellite *
5/1 - Dallas, TX -- Sons of Hermann Hall *
5/2 - Austin, TX -- Scholz Garten *
5/4 - Tucson, AZ -- Club Congress +
5/7 - Pioneertown, CA -- Pappy and Harriet's +
5/8 - Los Angeles, CA -- First Congregational Church of LA +
5/9 - San Francisco, CA -- The Castro Theatre
5/10 - Sonoma, CA -- Gundlach Bundschu Winery +
5/12 - Portland, OR -- The Old Church +
5/13 - Portland, OR -- Aladdin Theater +
5/14 - Vancouver, BC -- Christ Church Cathedral +
5/15 - Seattle, WA -- The Neptune Theatre +
5/20 - Maquoketa, IA -- Codfish Hollow Barn
5/21 - Minneapolis, MN -- Fine Line Music Cafe *
5/22 - Madison, WI -- Majestic Theatre *

* w/ Ohmme
^ w/ Radiator Hospital
~ w/ Bonny Doon & Shamir
+ w/ Mirah

Wye Oak, "Fear of Heights"

The North Carolina via Baltimore duo of Jenn Wasner and Andy Stack have come a long way from the 90s-infused indie folk of 2011's Civilian that initially drew me to Wye Oak. On "Fear of Heights," their collaboration is expansive and dreamlike. Wasner's voice and guitar work are still centerpieces, but side projects like Wasner's Flock Of Dimes and Stack's Joyero have clearly helped to stretch Wye Oak's sound into new directions.

Wasner says the song "likens the deepening of a relationship to the feeling of ascending to the top of a very tall place" with all of the exhilaration and fear that entails.

"Fear of Heights" is available now to stream / download, and Wye Oak will be at Music Hall of Williamsburg on March 4th.



Wye Oak on tour:

2/27 - Asheville, NC -- The Mothlight
2/28 - Durham, NC -- Baldwin Auditorium
2/29 - Philadelphia, PA -- Johnny Brenda’s [SOLD OUT]
3/1 - Baltimore, MD -- 2640 Space [SOLD OUT]
3/3 - Cambridge, MA -- The Sinclair
3/4 - Brooklyn, NY -- Music Hall of Williamsburg
3/5 - Richmond, VA -- The Broadberry
3/20 - Seattle, WA -- The Crocodile
3/21 - Portland, OR -- Aladdin Theater
3/23 - San Francisco, CA -- The Independent
3/24 - Los Angeles, CA -- Masonic Lodge at Hollywood Forever Cemetery
3/25 - Los Angeles, CA -- Masonic Lodge at Hollywood Forever Cemetery

Wednesday, July 17, 2019

Weekend Fun with Algebra II & Heart Bones

Algebra II at Asbury Park Brewery

AP to NYC

This past Friday night, I headed over to Asbury Park Brewery to catch the release show for Algebra II's debut album, Why Would Anyone Think This Goes Here? The album is the culmination of six years of making music together for Maggie Pakutka (guitar / vocals), Gabby Evergreen (cello), and Lewie D'Avanzo (drums, bass). I've dug Algebra II's combination of sweetness and noise for a while now.

Their vibe, I think, is best summed up by a little story. A couple of years ago, I booked Algebra II for a show at the Asbury Hotel. They went on last. There was this guy in a big, red MAGA cap hanging around the bar and making scrunched up faces at the other bands who played that night. When Algebra II was setting up, he noticed the cello and said something like, "Aah... Here we go. Finally, some good music." But once Maggie dug into her SG, Lewie started banging the drums, and Gabby started dragging her bow across the strings, the guy stuck his fingers in his ears and ran out. It really was good music, and the rest of us had a fantastic time.

On Friday, Algebra II put together a bill that included some of Jersey's finest bands. There were happy birthday balloons and tiny party hats. We got the shoegazy dream pop of New Brunswick's Resounding NO, the jangly power-pop of Bloomfield's Joy Cleaner, and the loud, folky, indie rock of Jersey City's Long Neck. The evening culminated with Algebra II playing their new record front to back. In addition to good music, the whole night was full of some really good feeling; and those are always the best shows.

Resounding NO
Joy Cleaner
Long Neck
Algebra II
Algebra II

On Sunday, Chris Dickman and I headed up to (le) Poisson Rouge in Manhattan to catch Heart Bones. Sunday afternoons on the Parkway headed towards NYC are never the best, so Chris and I decided to roll the dice with New Jersey Transit. Surprisingly, the train was only about 20 minutes late and we made it to the show in pleeeeeenty of time. I'm gonna say we were the first two people in the venue, which isn't unusual for me; but Chris -- justifiably -- thought I was nuts.

Anyway...

(le) Poisson Rouge is in the heart of my old NYU student stomping grounds, and I always love going back to Greenwich Village. When I went to school there, (le) Poisson Rouge was the legendary Village Gate, and I saw a few shows in the upstairs performance space. Shows at LPR take place downstairs, and Sunday's show was set up in-the-round, with the stage in the middle of the room.

Good Fuck (Tim Kinsella and Jenny Pulse) were the scheduled openers, but had to cancel because of an emergency. Simon O'Connor of Simon Doom filled in with a solo set backed by tracks from his iPhone. I saw O'Connor's other project, Spiral Heads, open for Sweet Spirit a few weeks back; and I've been digging his post-punk influenced songs.

Simon Doom

I caught Heart Bones when they came through on their Dirty Dancing tour at the end of last year and I had a blast. On Sunday, Sabrina Ellis and Har Mar Superstar took full advantage of the in-the-round setup by having the audience walk circles around the stage as they played to all corners. That highly-interactive aspect of the show, combined with the eminently danceable songs (check out singles "Little Dancer," "This Time It's Different," and "Disappearer"), made for another joyful evening.

Heart Bones
Heart Bones
Heart Bones

Afterwards, Chris and I stopped for pizza at the place I went to almost every day during my freshman and sophomore years of college and then headed back to Jersey like a couple of snails on NJT.

CoolMom was out of town on Sunday, so I stayed up super late editing pictures. That made Monday pretty much a lost day, and I couldn't really finish this up before heading to CoolDaughter 2's swim meet on Tuesday. But you've got it this morning, so now you can rejoice. All the pics will be at the Flickr account.

Friday, March 15, 2019

SXSW, Day 3 w Sounds from Spain, Dehd, Molly Burch, Buck Meek, rev rev rev, The Reputations, and Heart Bones

Heart Bones

Paella Party

I was scrolling through the SXSW GO app over my Texas-shaped waffle when I noticed that Wednesday was the day for the Sounds from Spain Paella Party in Brush Park across from the Convention Center. Based on my emails leading up to South By Southwest, it seemed like bands from Spain and other mostly Spanish-speaking countries were one of the big trends at this year's festival. I thought it would be a good idea to check out the bill being presented by Sounds from Spain, and I'm always up for free Paella.

After a torrential downpour during the morning, Wednesday shaped up as beautiful day. It was a great day for hanging in the park. When I got in the paella line, I ran into our friends Jess and Jono from High Waisted. We got our food and settled in to watch the bands.

The bill was organized with some of the more traditional Spanish bands -- Pipo Romero, Diego Guerrero, and Twanguero -- kicking things off, followed by the rock and pop of Baywaves, Trajano!, and Delaporte. It was a nice sampling of the things coming out of Spain. Trajano!'s Spanish-language post-punk stood out for me.

Pipo Romero
David Guerrero
Twanguero
Trajano!
Delaporte

Following a dinner break with Rosi, I headed over to Barracuda and caught sets from Chicago garage pop band Dehd and Austin's Molly Burch. Chris Dickman and the Yawn Mower guys texted me that they were in town, and I headed outside to meet them. Chris and I took the guys on a little tour of 6th Street until we got to B.D. Riley's to say hi to Dentist before their official showcase. It was a little Asbury Park party right there on the street and love was all around.

Dehd
Buck Meek

From there, I broke off on my own to catch Buck Meek. Meek plays with Adrianne Lenker in Big Thief. His solo set was quiet and conversational, full of good vibes and good stories.

rev rev rev
The Reputations
Heart Bones

Then I headed across the street to The Velveeta Room for a bit of Italian shoegaze band rev rev rev before sliding in next door at Esther's Follies to close things out with Austin locals, The Reputations, and Heart Bones featuring Har Mar Superstar and Sabrina Ellis (A Giant Dog / Sweet Spirit). The Reputations play energetic, soulful pop. Heart Bones had the crowd moving to their disco-inspired originals. They told us we could all come and see them in about 6 hours when they had a 7 AM set for KUTX at The Four Seasons Hotel. I slept in because we had our own showcase set for the next day. More on that later.

Monday, December 3, 2018

Heart Bones (Har Mar Superstar & Sabrina Ellis) Played Brooklyn Bazaar with Closeness and Fascinations Grand Chorus, 11/30/18

Heart Bones

I Had the Time of My Life

I've never seen Dirty Dancing.

I was 17 when the movie came out, and it just didn't really seem like it was in my wheelhouse at the time. CoolMom, it turns out, has this weird -- almost irrational -- aversion to the film; so, once we got together, the prospect of ever seeing Dirty Dancing kind of evaporated.

The movie has become part of our pop cultural consciousness over the years, so I'm familiar with the broad strokes; though, I never knew that Patrick Swayze, and not Jennifer Grey, uttered the famous "Nobody puts Baby in a corner" line until just yesterday.

Anyway...

I am a huge fan of Sabrina Ellis through her bands A Giant Dog and Sweet Spirit. I've also had countless people tell me that Har Mar Superstar (aka, Sean Tillmann) is a fearless and incomparable entertainer. The pair have a new collaboration called Heart Bones; and, on Friday night, they brought their "Heart Bones Do the Songs of Dirty Dancing" tour to Brooklyn Bazaar. I figured, "Why not?"

Two hours in the CoolVan to Greenpoint plus more than a few minutes to find parking. Oh, well. This was the first time I'd be seeing a show at any version of Brooklyn Bazaar. I walked into the nearly empty venue just after doors, as is my custom. A steady stream of people filed in over the next couple of hours, and the place was brimming by the time Heart Bones took the stage.

First, though, Jersey City's Fascinations Grand Chorus got things started. I've been a supporter of this duo for a couple of years now; but this was, surprisingly, the first time I'd made it out to see them live. To tell you the truth, it was their late announcement that they'd be opening the show that helped me make my final decision to brave the BQE.

Fascinations Grand Chorus
Fascinations Grand Chorus
Fascinations Grand Chorus

Stephanie Cupo and Andrew Pierce have their branding on-point as they both performed on Friday wearing orange. Their sound is decidedly retro with kind of a 60s pop feel. And, together, those things give Fascinations Grand Chorus this cool sense of being not only a band but also performance art. The songs are also very good.

Next up were Heart Bones' tourmates, Closeness. The Omaha duo consists of Orenda (Azure Ray) and Todd Fink (The Faint). They set up facing each other and combined guitar, bass, beats, and vocal effects into a pretty mesmerizing set. They had the stage lights all but turned off and used a pair of strobes to provide illumination throughout the performance. Songs went from discordant to danceable, from noisy to anthemic; and I was sold.

Closeness
Closeness
Closeness

Sean Tillmann came up to the front during the set. He danced next to me as he exhorted the rest of the crowd to get into it. At one point, he looked over at me with a huge grin on his face as if to say, "You believe this??," laughed, and tousled my hair.

As we waited for Heart Bones to take the stage, I chatted with some Har Mar Superstar die-hards -- originally from Tillmann's home of Minnesota -- who had driven up from DC for the show. I met a Dirty Dancing super-fan whose son, himself a Har Mar fan, had brought her out to the show. Then, the band took the stage. Sax, guitar, bass, drums, keys. Ellis walked onstage and opened the show with a solo performance of "Yes." Tillmann then joined her wearing his Members Only windbreaker, and the pair did "She's Like the Wind."

Heart Bones
Heart Bones
Heart Bones

From the very beginning, Tillmann was at the front of the stage singing to fans. At one point, he grabbed the back of my head and put his forehead to mine. Similarly, Ellis offered the mic to people up front or leaned down and sang with audience members. Both came down from the stage and danced with people towards the back.

Heart Bones
Heart Bones

Tillmann and Ellis have written several songs together and departed from the 80s cheese and 60s classics to share those. Singles "This Time It's Diffrent" and "Little Dancer" are standouts. For the encore, we got "Time of My Life" complete with a shirtless Tillmann lifting a blow-up doll over his head for the climax.

Heart Bones
Heart Bones

What can I say? This show was the most fun I've had in a while by far, and I truly needed to have some fun. Har Mar Superstar and Sabrina Ellis are performers whose selflessness and commitment can't help but bring a smile to your face. I'm looking forward to more originals from their collaboration.



The Dirty Dancing tour now heads out to the West Coast before winding up in Austin, TX.

All of the pictures from the show are up on the Facebook page.