Wednesday, November 16, 2016

Very Fresh Cover Garbage's "Only Happy When It Rains"

Very Fresh's Cindy Lou Gooden by Miriam Brummel

Ha! This Is Awesome!

Still kicking myself over missing the Very Fresh release show this past weekend.

*Homer voice* "Stupid family!"

No. I kid the CoolFamily. We had a wonderful Sunday night.

Still, though, Very Fresh's Hey, It's Me! remains in heavy rotation for me. I also have a soft spot for covers. Those things come together today with Very Fresh's take on Garbage's "Only Happy When It Rains."

Recorded by Ben Scherer and mastered by Carl Saff, Very Fresh's cover stays pretty faithful to the original, which was always one of my favorite 90s alt-rock hits. Cindy Lou Gooden does her own version of the big, brash Shirley Manson vocal -- minus the slight hint of a Scottish accent.

Check it out below at your leisure -- maybe even over a nice dinner with your family.



Friday, November 4, 2016

Friday Stuff: Blox Cord Recap, NGHTCRWLRS, The LeMats, Very Fresh

Slonk Donkerson

POTPOURRI

Moving slowly today. Got home early this morning from Queens, but damn it if those cooldaughters don't still have to get fed and driven to school in the morning. Anyway, I spent the morning editing pictures and thinking about some of the stuff I'd like to tell you about.

Blox Cord 1 featured Slonk Donkerson, Fruit & Flowers, The Vaughns, Leland Sundries at The Footlight Bar in Ridgewood, Queens

Here are just a few quick notes and links to some pics from last night's first-ever monthly Blox Cord showcase at Ridgewood's Footlight Bar.

1. It was great to meet the folks from Elmore Magazine and The Joy of Violent Movement face-to-face. The music world is an interesting place now with people laboring to tell you about new and interesting stuff just because they feel like it. Emily and William are dedicated folks who also know how to rock out.

Will (The Joy of Violent Movement), Emily (Elmore Magazine), and Mike (SIMGE)
2. The guy in the front bar made some amazing sliders: pulled pernil, vegan, more. He was also very cool despite being a Red Sox fan.

3. The bill was eclectic and solid. My first experiences with Leland Sundries and Slonk Donkerson were highly positive. The Vaughns made the absolute most of their debut NYC gig. And -- I think I keep saying this -- Fruit & Flowers are just better and better every time I see them.

The Vaughns
4. The Footlight is a great room with an up-to-date and really nice backline. I'd love to see more stuff happening there in the future.

5. Thanks to Mike over at Speak Into My Good Eye for including me on the first go 'round. Good luck with the future showcases. And don't lose my number.

Pics from the evening are in the Flickr galleries and on the Facebook page.

NGHTCRWLRS, "Coffee and Weed"

NJ-based alt / indie rock band, NGHTCRWLRS, are back next week with their sophomore LP, Raging Hot. Earlier this week, they gave us single "Coffee and Weed."

It's a one-minute burst of a guitar freak out, short on lyrics but long on emotion. I'm going to admit to being able to identify only with the magic of a morning cup of coffee, but I get where the guys are coming from.

NGHTCRWLRS
Raging Hot is out on 11/11 via Sniffling Indie Kids.



The LeMats, "The Astronomer"

New Asbury Park four-piece, The LeMats, released their first single just before playing the Halloween installment of Happy Mondays at Wonder Bar.

"The Astronomer" is alt-rock with some prominent lead guitar. The guitar moves in tandem with the vocals in a way that -- and I'm reaching back into the memory bank here, but sometimes music will shake things loose like that -- reminds me of a band like The Church. Remember them?

Anyway, it's a solid first effort from a new band with kind of a classic sound; and it will be interesting to see where they take things from here.

The LeMats
You can download "The Astronomer" as a Name Your Price download from The LeMats' Bandcamp page.



Very Fresh, Hey, It's Me!

Sometimes, you come across something that just gives off a vibe that speaks to you. Very Fresh ringleader, Cindy Lou Gooden, infuses EP Hey, It's Me! with a personality and sense of humor that manage to connect with my indie-rock fan brain.

The sound of Hey, It's Me! harkens back to 90s indie like Pavement and Liz Phair (though, I've read interviews where Gooden says she hasn't spent much time listening to Phair): left-of-center guitars, vocals that alternate between sneering almost spoken word and sweet singing. The subject matter is personal: the struggle to grow up and act responsibly ("Schedule IV"), mapping your life out according to a pre-determined set of expectations ("Cool Kids"), and wrapping part of your identity up in a relationship ("Hat Tree").

It's some pretty inwardly-focused type stuff that I've wallowed in a bit myself over the years, and Gooden seems to acknowledge having some guilt over her feelings on "Kamikaze."

Hey, It's Me! is funny, honest, and self-aware; and, rather than treating its subject matter in quiet, acoustic, singer / songwriter style, it pretty much rocks.

Very Fresh
Hey, It's Me! is out today on New Professor Music / Inflated Records.



Tuesday, October 18, 2016

New Single from Very Fresh. Hey, It's Me! Out November 4th.

Very Fresh's Cindy Lou Gooden at Shea Stadium

"Hat Tree"

On July 4th weekend, I headed up to Shea Stadium in Brooklyn with my buddy Joe to catch the tour homecoming show from Kino Kimino. One of the openers on that bill was the project of Kino Kimino touring bassist Cindy Lou Gooden, Very Fresh.

It was early, and Shea hadn't really packed out yet. I think I remember being kind of under the weather, but I perked up during Very Fresh's set. The influences of some of my slackery 1990s heroes were clear in Gooden's matter-of-fact and conversational delivery. That shouldn't have been surprising, it turns out, as Gooden was once part of an all-female Pavement cover band (along with Sadie Dupuis of Speedy Ortiz) called Babement. One of those chance first meetings with a band that kind of stuck in my mind.

Over the last few weeks, Very Fresh have released a couple of singles as they near the November 4th release of EP Hey, It's Me! via New Professor Music / Inflated Records. First single, "Schedule IV," goes more of the anthemic, post-punk route as Gooden sings of being "out of control" and trying to rein things in. "Hat Tree" is quiet, more intimate, waltzy with an ever-so-slight hint of spaciness. It gets at that lonely, co-dependent feeling of being the one waiting for someone to come home (which I wouldn't know anything about. Nope.).

Give "Hat Tree" a listen below.



Very Fresh play Brooklyn Bazaar this Thursday, October 20th, with Sons Of An Illustrious Father, Turnip King, and Spit. They celebrate the release of Hey, It's Me! on November 13th at Shea Stadium with help from Warcries, Casper Skulls, and Fruit & Flowers. I'm gonna ask Joe if he needs a ride to that one.

Tuesday, July 5, 2016

Drawing Boards, Kino Kimino, Outer Spaces, and Very Fresh Played Shea Stadium, 7/3/16 (PHOTOS)

Kino Kimino

3rd of July

Here's just a quick post to share some pics from Sunday night when I headed up to Brooklyn to catch Kino Kimino and Outer Spaces at Shea Stadium. I was there primarily for those two bands but ended up getting an additional pair of extremely good sets from Very Fresh and Drawing Boards in the bargain.

My friend and fellow cooldad, Joe, was already in Brooklyn taking a little music-filled vacation over the long weekend. Like me, he's the kind of guy that would rather hike up to the hot city to see shows than head over to the beach. We met for some pre-show drinks at Kings Tavern and then made the short walk over to Shea.

Brooklyn's Very Fresh, featuring Kino Kimino bassist Cindy Lou Gooden on lead vocals, opened with a set of lo-fi indie rock that was reminiscent of early (good) Liz Phair. They were followed by Baltimore's Outer Spaces who put out one of my absolute favorite records of 2016 in A Shedding Snake. The dark, slightly alt-country songs sounded great live, especially Cara Beth Satalino's vocals. Kino Kimino were next, and Kim Talon's stage presence took the songs of Bait Is for Sissies from quirky, punky pop to the level of performance art. Drawing Boards from Queens closed things out on a high with the chiming, jangling guitars that I always love so much.

Solid night all around and a great way to spend the holiday eve. You can check out all of the pics in the Flickr galleries or on the Facebook page.

Very Fresh


Outer Spaces



Kino Kimino



Drawing Boards